A Quote by Cecil Purdy
I maintain that in every position that arises, we should deliberately search, among other things, for pieces which have no retreat. If we see one, we automatically look to see if it can be netted.
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The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me.
It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
Look at the bark of a redwood, and you see moss. If you peer beneath the bits and pieces of the moss, you'll see toads, small insects, a whole host of life that prospers in that miniature environment. A lumberman will look at a forest and see so many board feet of lumber. I see a living city.
The letters, the food - I had no idea I wouldn't see a shrimp for three years. You don't look at those little things you take for granted so easy, until you get sat down, get locked up, or get into a position were you see other people who are less fortunate than you - that don't have anybody.
When I'm happy and in a good mood, I just search for other things that maybe connect to me on another level. I talk to my friends and see how they're feeling - see what's going on in their lives.
I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated.
The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.
We can never see the world other than incompletely: deliberately to see it as incomplete is to create an artistic aspect.
In other periods of depression, it has always been possible to see some things which were solid and upon which you could base hope, but as I look about, I now see nothing to give ground to hope-nothing of man.
Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly.
I'm not going to lie, the first three years of being in the group, I would look for trolls. I would search Leigh Anne. I would look through Twitter and I would search Leigh Anne from Little Mix, the black girl in Little Mix, I would put these things in my search engines just to see the comments.
When you’re living by default, you’re automatically reacting to life in habitual ways, many of which may be limiting you and your life. In contrast, living deliberately means making more conscious and constructive life choices. When you’re living deliberately, you’re living from a position of responsibility; you’re making choices with greater awareness. You’re taken yourself off autopilot, so you’re better prepared to align your actions with the results you want to achieve.
I like to look in the crevices of things, the nooks and the crannies. I like to see the things other people don't see, don't want to look at.
Many people see themselves as a problem that needs to be solved. They also habitually see the present moment as an obstacle that they need to overcome or get away from. With awareness, an inner sense of spaciousness arises that enables you to look at your own mind, which is to say the human mind, with a certain degree of detachment.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
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