A Quote by Cecil Purdy
Methodical thinking is of more use in Chess than inspiration
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Chess is more than a game or a mental training. It is a distinct attainment. I have always regarded the playing of chess and the accomplishment of a good game as an art, and something to be admired no less than an artist's canvas or the product of a sculptor's chisel. Chess is a mental diversion rather than a game. It is both artistic and scientific.
Nothing helps make a leader more approachable than admitting your struggles, screw-ups and behind-the-scenes thinking on hard calls. If the leader makes this a priority, the whole company will be more open and methodical learning from failure.
I ... have two vocations: chess and engineering. If I played chess only, I believe that my success would not have been significantly greater. I can play chess well only when I have fully convalesced from chess and when the 'hunger for chess' once more awakens within me.
Botvinnik's right! When he says such things, then he's right. Usually, I prefer not to study chess but to play it. For me chess is more an art than a science. It's been said that Alekhine and I played similar chess, except that he studied more. Yes, perhaps, but I have to say that he played, too.
We are often in society told to make decisions in one of two ways. We're either told "Use your gut, just go with how you feel about it and let that guide you," or we're told to use reason - some very deliberative methodical process of pros and cons and really thinking it through.
He is the so-called father of the modern school of chess; before him, the King was considered a weak piece and players set out to attack the King directly. Steinitz claimed that the King was well able to take care of itself, and ought not to be attacked until one had some other positional advantage. He understood more about the use of squares than Morphy and contributed a great deal more to chess theory.
I am thinking about chess in schools in particular. In the USA more than 3200 children competed in an event.
I was a professional chess player in Romania, but only a small-time master. When I came to France, I continued playing chess for many years: I played tournaments in numerous countries with mixed results. I wrote and published a book - La Défense Alekhine and translated two others from Russian. I taught chess in schools; I earned more money through chess than through literature.
What could be more advantageous in an intellectual contest - whether it be chess, bridge, or stock selection - than to have opponents who have been taught that thinking is a waste of energy?
when one is not expressing himself, he is not free. thus, he begins to struggle and the struggle breeds methodical routine. Soon, he is doing his methodical routine as response rather than responding to what is.
Avoid the crowd. Do your own thinking independently. Be the chess player, not the chess piece.
Some ways of using our thinking are really inspiring. There are people who use their thinking to race cars. People use their thinking to build rockets to the moon. It's all just a use of your thinking.
Some ways of using our thinking are really inspiring. There are people who use their thinking to race cars. People use their thinking to build rockets to the moon. It’s all just a use of your thinking.
I think my mother, more than anyone, knew the importance of inspiration. If it was occurring, you had to use it.
Combinations have always been the most intriguing aspect of Chess. The masters look for them, the public applauds them, the critics praise them. It is because combinations are possible that Chess is more than a lifeless mathematical exercise. They are the poetry of the game; they are to Chess what melody is to music. They represent the triumph of mind over matter
The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.
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