A Quote by Cecil Taylor
I try to imitate on the piano the leaps in space a dancer makes.
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Too many girls try to imitate others and don't think about what makes them unique. The best part of a girl is what makes her who she is as an individual.
I definitely try to be myself and not try to imitate other performers. That's why I got my music degree. I wanted to be prepared and not be a 'product.' I want people to know that I'm not only a singer but a musician as well. I studied guitar, piano, and composition. I believe that it's just about being myself on and off stage.
When violence is real and you flinch away from it, violence does not push people to try and imitate that. Often, we shun the violence that makes us flinch, because it disturbs us. And what makes us uncomfortable and disturbs us is not often bad. What disturbs us will not make us imitate that.
The mind leaps, and leaps perhaps with a sort of elation, through the immensities of space, but the spirit, frightened and cold, longs to have once more above its head the inverted bowl beyond which may lie whatever paradise its desires may create.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
Young players try and imitate the best players like Ronaldo. They try to imitate the hair, the clothes, the cars, the tricks. I try to tell them how hard Cristiano Ronaldo trained in training and after training. He only wanted to be the best. Everything else came after.
The piano has disappeared from working-class family life, which is a shame. It's associated with the middle classes now. Everyone in my family sang and played piano, but my parents were delighted and amazed when I became the first professional performer in the family - apart from a clog-dancer way back.
What makes a great dancer is not technique. What makes a great dancer is passion.
If we wish to imitate the physical sciences, we must not imitate them in their contemporary, most developed form; we must imitate them in their historical youth, when their state of development was comparable to our own at the present time. Otherwise we should behave like boys who try to copy the imposing manners of full-grown men without understanding their raison d' être, also without seeing that in development one cannot jump over intermediate and preliminary phases.
My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
When I say I can see through clothes, sometimes I try to use it as an X-ray vision to look into the dancer and see who this dancer is right now, at this exact moment in time. I live inside them in a way.
Everybody in my neighborhood in the '40s, they played pianos. That's how people partied. They didn't try the TV, the radio was OK, records was cool, but when people wanted to party, they got around a piano. My mother played piano, my sister played. I've been around a lot of piano all my life.
I was a lifeguard, camp counselor, the president of the YMCA Leaders Corps. I also took piano lessons. I was a dancer.
I try to steal something from the great singers. Of course, I don't want to imitate their sound, but I try to do a sort of compromise.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music.
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