A Quote by Cecil Taylor
When you play, when you perform, it might be for the last time, so you got to do it.
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When you're from Brooklyn, you've got to rep, and you've got to perform, like it's your last fight on earth.
. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.
Terrible, it was terrible. Even today and it's been several months now you just bring it up and I tear up a little bit, terribly. You know when you're that close that long and got along as well as we did, we seldom had any serious arguments. We might have - might discuss which movie we wanted to see and what play we wanted to go to, where we ought to go for a vacation but that usually didn't last very long because we were much of the same mind all the time.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
I knew I could play really well in one game, score the winning goal and then, come the next game, I wouldn't play at all or I might come off the bench for the last five minutes. So I was frustrated towards the end of my time at Spurs. I wasn't happy.
If you say it was the "last" time, it might well turn out to be the last. What you meant was "the most recent time I was here".
You never know when it will be the last time you'll see your father, or kiss your wife, or play with your little brother, but there's always a last time. If you could remember every last time, you'd never stop grieving.
Yes, there are times where I might play one bad service game a set. If you look at Sampras, he might play one slightly suspect service game every three sets. So to beat someone like that you've obviously got to be right on top of your game. I've basically got to get rid of that in my game so it makes me very difficult to beat.
Listen, I'm 41 years old. I've got two kids. I've got a career. The last thing I need to be doing is having a beef with A Tribe Called Quest. It's silly and it was unnecessary. It ain't the first time that a director hasn't seen eye to eye with a subject and it ain't going to be the last time.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
I was really looking forward to doing the thing that I do - I basically appear just at the beginning and at the end of the 'The Glory of the World' play - but when I got to opening night, I started to get really sad that that was the last time I was going to see the play as a spectator without actually being in it.
I'm not performing now. What I do now is listen to music all day long. Listening is very nourishing to me. I might go back to perform, I might make another record. I've got a record half finished.
The last time I really got into new music that wasn't heavy metal was probably like... TV on the Radio? I think that was it. That's the last time.
If you're versatile, you can play many positions. You just got to go out there and perform.
Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.
I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.
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