A Quote by Cecile McLorin Salvant
I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.
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Some of the old folk singers used to phrase things in an interesting way, and then, I got my style from seeing a lot of outdoor-type poets, who would recite their poetry. When you don't have a guitar, you recite things differently, and there used to be quite a few poets in the jazz clubs, who would recite with a different type of attitude.
Love Our Lady and make her loved; always recite the Rosary and recite it as often as possible.
As a child, I learned hundreds of poems by heart, which I can recite to this day.
I work with a lot of young people who have poems that are changing their lives, that they're eager to talk about, but every now and then when I meet someone, maybe someone of my parents' generation, and I tell them that I write poetry, they'll begin to recite something that they memorized when they were in school that has never left them.
I grew up in New York City. In elementary school, I was a charter member of the Scribble Scrabble Club, and in high school, my poems were published in an anthology of student poetry.
When I hear Khmer poets, when they recite their poems, I know what they're talking about, I get it right away.
I just remember having the President's Fitness Challenge when I was in elementary school and middle school. You had to do different activities, and at the end of it, I think you got a little pin or a badge. I was like, 'How do we incorporate Captain America into high school?' You would have the 'Captain America Fitness Challenge.'
Certainly in my youth there was lots of singing, lots of storytelling, and whenever we went to a party, you had to do a party piece, like sing songs, recite poems, or tell stories. That sort of narrative musical culture was my upbringing.
Everyone should be able to do one card trick, tell two jokes, and recite three poems, in case they are ever trapped in an elevator.
I am a relatively rational being and I like to create order in poems. I like meter, I like rhyme, but ultimately I don't know where the poems come from, and I feel, at least in the beginning, that I'm taking dictation from my own dream that I don't remember.
I take pride in never being rude to anyone on this earth, which contains a great number of unbearable villains who set upon you to recount their sufferings and even recite their poems.
I like to joke that I started writing long poems out the anxiety over ending and starting poems. It just seemed easier to keep going.
When I recite poems onstage, I put myself into the very personal struggle and it grants tremendous perspective. At the same time you get another perspective on the poem you're reciting.
I used to get in trouble a lot in school because I would write very naughty stories and poems in class.
Just because I make films doesn't mean I think they're great. I just make them and then when I'm done with them I'm just a filmgoer like I always am. They're all lessons. I'm still in film school, honestly. And this one is just a dry run for whatever the next one is.
I have a certain amount of creative energy, and it used to go painting. Now most of it goes to music. I like to make things. I treat the songs more like poems than prose, so in that sense, I don't really have a point to make. I just try to be surprised.
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