A Quote by Cecile McLorin Salvant
I remember as a child I just would copy everyone else's handwriting, and now I have sort of a version of my sister's handwriting. And I feel like - sometimes I feel that way for my voice.
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I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
Actually 'bad' doesn't do justice to my handwriting. Neither does 'handwriting.' 'Desecration of paper' about covers it.
I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
Approximately 400 cuts - that would make 25 percent of the total - use CGI. I worked on the Steamboy's animation production based on the usual handwriting method. Digital animation is just supplementary. I didn't do anything surprising, because the idea is to overcome the limitation of expressions done by handwriting with the help of CGI.
Clever people can copy the handwriting of an artist - it's like forging a person's signature.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
Killing time in the precinct, I find a copy of one of my early volumes in a dump-bin on the pavement outside the charity shop. The price is 10p. It is a signed copy. Under the signature, in my own handwriting, are the words, "To mum and dad".
Like seeing a photograph of yourself as a child, encountering handwriting that you know was once yours but that now seems only dimly familiar can inspire a confrontation with the mystery of time.
Format is just the language. Content is the only thing that is important. Form is like handwriting. Whether you write in a scribble or clean handwriting or type it, the content remains the same. You want to write in clean hand, in a kind of a clear format only because it is aesthetically pleasing. I can scribble, that's also fine.
It's the Met Gala - everyone is huge. It feels very hierarchical, and I get really nervous in hierarchical spaces because I feel like everyone deserves to feel just as special as everyone else, but that's just not the way it is in this business.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. And that's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
If you look at items of clothing like denim or polo shirts, they came from someone else's idea and everyone now makes them, but even so, I sometimes want to buy into the newer thing because it looks good or whatever. I mean, I copy many things - almost everything I do could be called a copy in some way. But I copy with a certain respect. I have a high regard for the original, and so I want to put my twist onto that. It's just like sampling music - when it's done well, the new work communicates a respect for the original source material.
I'm just kind of sick of music. I don't know what I want to do. It's not that I feel suicidal or anything, but I just want to end this life. I just want to be somebody else now. Sometimes I feel like that. You always think, "If I just cut my hair really short and dye it brown and put on a little goatee, no one would know it was me, and I could..."
I feel like the point of being an artist is to have your own voice: to do it the way you would do it and not the way anyone else would do it. If you're a strong enough writer, then that voice is going to come out all the time, and I can't stop it from coming out, no matter what I do.
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