A Quote by Cecile McLorin Salvant
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
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I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
The more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
You have singers that are trained, and then you have natural singers: people that, in my opinion, were just born to sing. And hopefully, I am one of them.
This world is bullshit. And just because I appear in music video wherein I am in my underwear, and make young women feel not good enough so that they become anorxeic; and okay, maybe because of that I became popular more quickly than other singers who are, I don't know, maybe more talented or better songwriters. That doesn't matter because, and... um... my boyfriend is a magician, and he can pull a quarter out of your ear and say things like 'We have not met before have we?' Go with yourself.
As it turns out, three of my four kids are professional singers. And they're really interesting, good singers.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
I grew up listening to Beethoven and old jazz singers like Billie Holiday, Nina Simone and Anita O'Day. But those were, like, the only women I listened to - I hated women pop singers.
Denzal Sinclaire embodies the tradition of the great singers I love like Nat Cole, yet definitely has his own voice. He is one of my favourite singers.
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