A Quote by Cecile McLorin Salvant
I like bold statements. I'm very nearsighted, and I'm terrible at the whole contacts thing. I figured, 'Why not get some glasses that are fun, that contrast with my skin tone and brighten things up.'
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I am very disciplined with my skin - I tone and I moisturize my skin twice a day. I also exfoliate, and I try to get a facial, like, once every two months.
I remember when I was growing up, I always wore glasses and so if I was on-stage or just being able to move around playing sports, I was never really able to because I had glasses holding me back. Wearing contacts has just been very helpful.
When I read the statements of Christ, there seems to be this urgency and intensity. I guess that's what I get out of it when I read the tone of the Scriptures, which is very different from the tone of our culture.
When I read the statements of Christ, there seems to be this urgency and intensity. I guess that's what I get out of it when I read the tone of the Scriptures, which is very different from
the tone of our culture.
It's hard to find powder and things for my skin tone. I look at Rihanna's collection, and I'm always in awe because there's a shade that exists for every skin tone.
Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
I see some people with glasses here, I trust people with glasses, don't you? But if you're wearing your glasses like this ... "Get away from 'em!"
You can get away with making some extremely bold statements by Trojan Horsing them into a narrative via comedy.
I've always been very bold - some would say brash. I've always said very edgy, controversial statements.
I have very poor eyesight, and I can't imagine a world without my glasses or contacts.
When I was younger, I had terrible skin... my mother has terrible skin. Male-pattern hair loss is starting to come in... my dad is bald. It's so unfair; my brother's tall, has perfect skin, great hair, but I'm like the runt.
I love sheet masks. I try to put them on whenever I feel my skin is dry and exposed too much to the sun. They help me make up for lost moisture and brighten my skin.
I think that there should be this thing for cover-ups on tattoos. I want to develop it. It's like a skin-toned transfer, and then all the make-up artist has to do is airbrush over it to blend it into the skin. There's nothing like that. At the moment, you literally have to go red and get it to skin color, which takes forever.
A role needs a certain tone, so your own tone also changes. It's not like I lock myself up in a room to get into the zone. It is based on what I am feeling, because the minute you try too much, weird things happen. Of course, for an intense role you need some silence, and you need to do a lot of thinking.
The fun of being a supervisor is that you kind of get to shape the film as a whole rather than crafting a complete scene. I can't really think of one in particular that I feel like I own, except for a couple shots that I animated, which is fun. But feeling like you contributed to the whole is the most satisfying thing.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
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