A Quote by Cecilia Bartoli

I did a concert... in September with the Berlin Philharmonic... They're great musicians, and there's always something to learn from them. — © Cecilia Bartoli
I did a concert... in September with the Berlin Philharmonic... They're great musicians, and there's always something to learn from them.
There are many people in the world who really don't understand, or say they don't, what is the great issue between the free world and the Communist world. Let them come to Berlin. There are some who say that communism is the wave of the future. Let them come to Berlin. And there are some who say in Europe and elsewhere we can work with the Communists. Let them come to Berlin. And there are even a few who say that it is true that communism is an evil system, but it permits us to make economic progress. Lass' sie nach Berlin kommen. Let them come to Berlin.
Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough. Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes.
I feel too young in 2018 to take over the Berlin Philharmonic as the successor to Simon Rattle.
I always love working with young actors, because there's always something to learn. It's always exciting to see the next generation and how they approach things and what's great about them and what's not so great about them.
I'm going to try and make you take the Beatles and Eric Clapton as seriously as the Berlin Philharmonic and Simon Rattle.
I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.
I've been lucky to conduct the very best orchestras in the world: New York, San Francisco, Chicago, Berlin, the London Philharmonic.
It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.
I've tried to learn as much as I can about the great jazz singers to understand what makes them important, vital artists, but there is always something more to learn.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.
Why do we idolise Christian singers and speakers? We go from glorifying musicians in the world to glorifying Christian musicians. It's all idolatry!Satan is getting a great victory as we seem to worship these ministers on tapes and records and clammer to get their autographs in churches and concert halls from coast to coast.
I listened to classical music. I listened to jazz. I listened to everything. And I started becoming interested in the sounds of jazz. And I went to a concert of Jazz at the Philharmonic when we lived in Omaha, Nebraska, and I saw Charlie Parker play and Billie Holiday sing and Lester Young play, and that did it. I said, 'That's what I want to do.'
Something special can happen late at night in a jazz club. As the crowd thins, the musicians intuitively sense that those few who have stayed, have stayed for a reason. A reciprocity of need and desire inspires the musicians to dig as deeply into their talent and souls as they are able. This mysterious and transformative confluence of events rarely happens in concert. It is the province of the nightclub.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
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