A Quote by Cecilia Bartoli
Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.
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Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
If on your own or by the criticism of others you discover error in your work, correct it then and there; otherwise in exposing your work to the public, you will expose your error also.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.
But I liked you from the moment I first heard your voice,” he said, “when I had no idea what you looked like. I thought it delicious, the way you bargained for me, as though I were an old rug. Then I loved the way you looked at me. Then I loved the way you ordered me about. I loved your patient and impatient ways of explaining things to me. I love the sound of your voice and the way you move. I love your courage and your kindness and your generosity and your obstinacy and your passion.” He paused. “You’re the genius. What do you think that means?
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit.
We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Live and act within the limit of your knowledge and keep expanding it to the limit of your life. Redeem your mind from the hockshops of authority. Accept the fact that you are not omniscient, but playing a zombie will not give you omniscience-that your mind is fallible, but becoming mindless will not make you infallible-that an error made on your own is safer than ten truths accepted on faith, because the first leaves you the means to correct it, but the second destroys your capacity to distinguish truth from error.
When you recognize that there is a voice in your head that pretends to be you and never stops speaking, you are awakening out of your unconscious identification with the stream of thinking. When you notice that voice, you realize that who you are is not the voice - the thinker - but the one who is aware of it.
If you can keep something very personal, like a song, like a color, like a story, deep in your heart, then nobody can destroy that. Nobody can destroy your imagination; nobody can destroy your love.
Your ego is your embodiment and your self is your potentiality and that's what you listen to when you listen for the voice of inspiration and the voice of 'What am I here for? What can I possibly make of myself?'
If you deny the existence of your fault or error, it will strengthen its hold over you. If you recognize it, your awareness will destroy it. He who rejects this will never know the entrance to the Temple.
I'm reaching out to all Americans - Democrats, Republicans, and independents - because we need everybody to help make our country what it should be, to grow the economy, to make it fairer, to make it work for everyone. We need your talents, your skills, your commitments, your energy, your ambition.
Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
I don't hear your words: your voice reverberates against my body like another kind of caress, another kind of penetration. I have no power over your voice. It comes straight from you into me. I could stuff my ears and it would find its way into my blood and make it rise.
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