A Quote by Cecilia Dart-Thornton

In fantasy, you have licence to pick whatever you like out of history and fantasy, and you don't have to be accurate. — © Cecilia Dart-Thornton
In fantasy, you have licence to pick whatever you like out of history and fantasy, and you don't have to be accurate.
I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.
I've always loved reading fantasy. I used to pick out all the books in the library that had the little unicorn sticker on the side to show that they were fantasy.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
Any Arthurian enthusiast who has watched 'Merlin' has probably concluded that it's not accurate whatsoever - but, it's not meant to be. It's not meant to be a true telling. It's in a fantasy setting, it's really concentrating on the fantasy element.
But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they're in a dire situation or comedic situation.
But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.
When we work with history, to a very great degree we are all guessing. But by using motifs of time and history in a fantasy setting, we are acknowledging that this educated guesswork, invention, fantasy underlie our treatment of the past and its peoples - and we are not claiming a right to do with them as we will.
What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
I can't say that fantasy instead of the 3D world is fine or good, but I know in my own life I have certain people I've kind of fixated upon to the point of pure fantasy. Then there's such a dilemma when here they are, and they're getting ever less and less like the way the fantasy has them.
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