A Quote by Cecily von Ziegesar

I went to Colby College in Waterville, ME and did picture it when I was writing 'Cum Laude.' So many of the physical details were included, like the loop where people jogged. The story of the chapel is also borrowed from Colby... but the students and cast of characters are fictional.
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
Well did graduate summa cum laude from Fordham University.
I was going to college on a full scholarship. I graduated summa cum laude. I was always on the dean's list. I was never a kid that started any kind of trouble.
I was sort of shocked when it all of a sudden turned out that I got all A's through college, with the exception of two B's in the first term. I never envisaged myself as summa cum laude.
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
Colby Covington is a nightmare match-up for me, but I'm ready to walk through the fire.
Colby Covington is an idiot. He is so stupid.
Colby Jordan is one of the most fashion-forward and passionate girls I know. She gives me these young Anna Wintour vibes when I'm around her!
For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
I would miss Colby, but it wasn't going anywhere. All the more reason why I should.
There's never any issues with Colby 'Chaos' Covington. I always do the right things.
Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.
I was a terrible student. I didn't graduate magna cum laude: I graduated 'Thank you, Lawdy!'
The people in this house, I felt, and I included myself, were like characters each from a different grim and gruesome fairy tale. None of us was in the same story. We were all grotesques, and self-riveted, but in separate narratives, and so our interactions seemed weird and richly meaningless, like the characters in a Tennessee Williams play, with their bursting unimportant, but spell-bindingly mad speeches.
Writers are magpies, and we collect details about people and we use them for fictional characters.
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