A Quote by Cedric Benson
It never really was difficult for me not starting because I understood the circumstances.
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I just never really understood the reason I understood movies so well, and I didn't realize that me being such a people-watcher was even a gift at all.
[Trust Me] was TNT, and they were really supportive of the show, but in the end they just didn't feel it was their audience. I never really understood why we didn't get a longer run at it, because it was Griffin Dunne and Monica Potter. Just a really strong cast.
I never really understood the idea that nonfiction ought to be this dispensary of data that we have at the moment. Also, roughly around the time we were doing this fact-checking. And I never really understood why people think what nonfiction's job is to give them information as opposed to something else.
No matter what level you're starting at, it's about not only utilizing your time, but your resources and network. For me, I started my company with a small amount of savings; I never had investors and I was lucky in the sense that I had models and connections in the fashion industry who were willing to give me advice early on. So really, for anyone starting a new business, it's really important to seek out mentors and knowledge from those who have come before you. And to not let that be discouraging, but to take that advice and really learn from it and mold it to what you're trying to do.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
It's a difficult world for lots of child actors, and it's difficult to be a teenager under any circumstances. Add to that notoriety and fame, and things can go really wrong. But I had a terrific family and grew up very normal in Phoenix.
Because of my age and what I do for a living and the amount of time that I've spent away from my family and loved ones, I'm starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There's a darkness inside of me that I'm only now starting to come to grips with and accept. And it's starting to scare me.
It's far more difficult being a small-business owner starting a business than it is for me with thousands of people working for us and 400 companies. Building a business from scratch is 24 hours, 7 days a week, divorces, it's difficult to hold your family life together, it's bloody hard work and only one word really matters - and that's surviving.
I'm afraid my own approach to everything is exactly the same: Who am I? What do I want? What are the circumstances - difficult or non-difficult? What are the obstacles, physical and non-physical? Finally, given who I am, the circumstances, the obstacles, what do I do? That's the only thing you do. You've got to do the action.
I never really understood fashion as a career. For me, it was really a state of mind, more like something that I always had in my life.
A man is not little when he finds it difficult to cope with circumstances, but when circumstances overmaster him.
In all circumstances in the world - even the most difficult circumstances - we need to push for dialogue.
I never really understood how movies were made, because it was such a technical accomplishment.
I've never understood the appeal of feeling really scared. I know that people do find it really thrilling. For me, artistically, it needs to be worth the effort of me feeling uncomfortable watching it.
I've never felt that my job was difficult because I'm a woman. It's a difficult job regardless, and it's even more difficult in Lebanon because there's no film industry. There's no structure, funding, or institutions for filmmakers.
If I examine the circumstances which inspired me to write - and this is not mere self-indulgence, but a desire for accuracy - I see clearly that the starting point of it all for me was war.
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