A Quote by Cedric Bixler-Zavala

The story of my life is the Chicano experience personified. — © Cedric Bixler-Zavala
The story of my life is the Chicano experience personified.
To me, you have to declare yourself a Chicano in order to be a Chicano. That makes a Chicano a Mexican-American with a defiant political attitude that centers on his or her right to self-definition. I'm a Chicano because I say I am.
I was interested in a lot of subjects from very early on. And that's uniquely Chicano because every Chicano I knew always had three jobs.
A great Chicano forebear of mine in writing is Rolando Hinojosa-Smith. He was writing good border mysteries for Chicano readers back in the '80s and '90s.
Don't ever insult a Chicano about being a Chicano because then all the other Chicanos will be on you with a vengeance. They will even fight each to be first in line to support you.
You have to want to be Chicano to be Chicano.
In my writing, I want to address all communities, you know. I've spent many years talking about Chicano culture, Chicano history, and at the same time, I've also been in many communities and presented my work in many communities, in many classrooms, and that's where my vision is and my delight is and my heart is.
Being a Chicano in Hollywood, my experience is that you're not given credit for any sophistication... You're just kind of some guy that just crossed the border, you know, on the back of a truck and that's it.
Each and every component that makes up your life experience is drawn to you by the powerful Law of Attraction's response to the thoughts you think and the story you tell about your life. Your money and financial assets; your body's state of wellness, clarity, flexibility, size, and shape; your work environment, how you are treated, work satisfaction, and rewards - indeed, the very happiness of your life experience in general - is all happening because of the story that you tell.
I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?
Since I personified the savage on the stage, I tried to be as civilized as possible in daily life.
The value of a story like 'Deadline' is kids get to look at death at the perfect distance. They can put the book down. They can experience the story, rub up against it, but it's not real life.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?
The first five years of my career, I was Inmate #1, Bad Guy #1 and Mean Guy #1. I had a great career going, until somebody told me that I was typecast. I said, "Well, what's typecast?" And they said, "Well, you're always playing the mean Chicano dude with tattoos." I thought about that and I said, "Wait a minute! I am the mean Chicano dude with tattoos, so somebody is getting it right."
Bernard Harris is a great example of the American success story. In Dream Walker he describes how he is trying to pass on his experience and success to the next generation -- we can all learn from his real life story.
I want artists to tell their story and share their life experience.
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