A Quote by Cedric Bixler-Zavala

There's this whole list of old personalities that I can act, as corny as that sounds, or as method actor as that sounds. — © Cedric Bixler-Zavala
There's this whole list of old personalities that I can act, as corny as that sounds, or as method actor as that sounds.
Honestly, I know it sounds corny, but as an actor, I'm just so happy to have a job.
Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.
This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.
It sounds corny, but I consider myself an old-fashioned entertainer. I could have been in variety.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
I'm working pretty slowly these days, but most of what it is, or a lot of what it is anyway, is kind of in the vein of "Bay of Pigs". Maybe not all in the same scope, but recorded using the same method and using some of the same sounds, or similar sounds.
Louis Kelso's formula sounds like Lydia Pinkham's Vegetable Compound. The whole theory sounds crazy. But, then, one may recall, they said all that of Copernicus too.
It sounds funny, but I felt that my responsibility as an American actor was to let the British know we can act as well as they can.
You know, it sounds corny, but I believe in myself. And I work hard.
We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
The task is to investigate speech sounds in relation to the meanings with which they are invested, i.e., sounds viewed as signifiers, and above all to throw light on the structure of the relation between sounds and meaning.
I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.
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