A Quote by Cedric Hardwicke

Actors must practice restraint, else think what might happen in a love scene. — © Cedric Hardwicke
Actors must practice restraint, else think what might happen in a love scene.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
When the scene is over, a lot of people cut. The actors are acting. And they just stop acting. But I think that leaving people in that moment and seeing where else it can go and pushing them to take it further, a lot of special things can happen.
I like restraint. Even with actors, restraint is something that I work on the most.
It's easier to do an action scene than a love scene. I love fighting. When the camera's not rolling, I'll usually punch some of the actors, just for fun.
Here was a place where real things were going on. Here was a scene of vital action. Here was a place where anything might happen. Here was a place where something would certainly happen. Here I might leave my bones.
... keep practicing. After a great deal of practice, we no longer think about all the necessary movements we must make; they become part of our existence. Before reaching that stage, however, you must practice and repeat. And if that's not enough, you must practice and repeat some more.
The practice of pumping up before the scene, especially if you've got your shirt off, most actors will do that.
There are just lots of possibilities in the world...I need to keep my mind open for what could happen and not decide that the world is hopeless if what I want to happen doesn't happen. Because something else great might happen in between.
I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
I would that the healing power of Christ might spread over the earth and be diffused through our society and into our homes, that it might cure men's hearts of the evil and adverse elements of greed and hate and conflict. I believe it could happen. I believe it must happen. If the lamb is to lie down with the lion, then peace must overcome conflict, healing must mend injury.
It's odd, how those things happen to actors. A thing where you think, "I have no idea how to do this," something will happen in your life comes up and you just get it. I don't know how you get it, but actors are pretty extraordinary, in that regard. I think it's fear that happens.
Scorsese is a fan of improv and is always pushing actors to think up something that would make the scene more fun. He loves any idea that helps the scene be alive.
Actors, who should pride themselves on their singularity, are forever trying to be someone else. It isn’t necessary for you, the actor, to like yourself— self-love isn’t easy to come by for most of us— but you must learn to trust who you are. There is no one else like you.
Good actors can make a huge difference to a scene that might sound or read flat.
You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.
Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
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