A Quote by Cee Lo Green
It's a double-headed coin, because technology is a convenience but it's stifled our attention spans. At one time, albums had songs that were like ten minutes long, with different variations and chord progressions and changes.
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Ever since 'Hail to the King,' we've been more cognizant of our chord progressions, our key changes, drama in songs, a lot of dynamics - we've really added a lot of that in there.
We live in a time of short attention spans and long stories. The short attention spans are seen as inevitable, the consequence of living our lives in thrall to flickering streams of information. The long stories are the surprise, as is the persistence of the audience for them.
These characters were like twelve-bar blues or other chord progressions. Given the basic parameters of Batman, different creators could play very different music.
All of our songs take these really big creative turns and twists throughout the process, so sometimes songs will start out as a melody or some musical chord progressions.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.
In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies.
I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
When we do reggae, it's normally a one-chord or a two-chord, or whatever it is. With Sting, there'll be chord changes, key changes.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
Even if you only meditate for ten minutes a day, it is ten minutes well spent and, in the long term, can give you the wisdom to see that the answers to our problems lie within us.
Like the ability of all the musicians to end the song at the right time. Or when it's time for a chord change, but nobody knows what the chord should be, and you all, you know, it all just changes, magically, at the same time. It's when you pick up your phone to call someone and that person is calling you.
I have performed for thousands when they found me exotic, the vogue, daring, but I have danced, at any given time, for about ten people... They were the ones that left the theater forever different from the way they were when they came in. All of my long, long life, I have danced for those ten.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
I knew I had to have a hit. I would get no more chances. Analyzing what they had in common I discovered they had many similar elements: harmonic rhythm, placement of the chord changes, choice of harmonic progressions, similar instrumentation, vocal phrases, drum fills, content, even the timbre of the lead solo voice. I decided to write a song that incorporated all these elements in one record.
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