A Quote by CeeLo Green

When it comes to the stage, I can't help but be inspired by people like George Clinton, Elton John and Alice Cooper. — © CeeLo Green
When it comes to the stage, I can't help but be inspired by people like George Clinton, Elton John and Alice Cooper.
That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.
I often mention Alice Cooper. I don't wanna sound like Alice Cooper or be confused with him at all, and I certainly don't think we are.
My influences are Alice in Chains and Elton John.
I thought I knew Elton John, but then it was like, "Woah, Elton's a pimp! He's really amazing." And since Billy and Elton are homies, I'm finally getting it - the two piano boys.
Then, in 2000, John Reid, Elton John's former manager, asked me to audition for the stage version of The Graduate he was producing. So I worked on it, got the part, and after three weeks' rehearsal I was on stage!
I remember Elton John used to be their owner and he is my favourite singer! I hope the match will be an opportunity to meet Elton John!
The entire island of Martha's Vineyard has gone Obama crazy. There's even a cocktail that they've named after Barack Obama. It's called the Obamarita. Not to be confused with a cocktail inspired by John McCain, the Cosmopoligrip. And then there was one a couple of years ago inspired by George W. Bush, the Mojidiot. Of course, there was the Bill Clinton Screwdriver.
The only criticism heard with any frequency of Elton John's first American album, 'Elton John,' was that the production was too grandiose. The melodies were superb, and lyrics frequently very good, and the performances flawless.
Solo artists are generally totally insane. Elton John? Slightly eccentric. George Michael? He's mad as custard.
I lived my teenage years in my 20s when I sort of left home and became Elton John success, then it became Elton John excess... Everything I couldn't do when I was younger I did 10 times over. I was having the time of my life. I was becoming the person that I wanted to be.
George was a late arrival at school and he was sort of put in my charge, and one of the immediate similarities was that we both enjoyed music - specifically Elton John.
Liberace was a miracle. You talk about who he was and what he did, and then you look at who he inspired, from Elton John to Cher to Michael Jackson to Bette Midler. There are so many people that came to see him. Elvis was there, watching his shows.
I think Alice [Cooper] probably, on some level, recognized that good old self-destructive streak that does happen in some people's lives. So, though I wasn't there with Alice and the Vampires, but I'd give anything in the world to have been, I had my own version, I suppose, a little later.
Has Bill Clinton inspired idealism in the young, as he himself was inspired by John F. Kennedy? Or has he actually reduced their idealism? Surely part of the answer lies in Clinton's personal moral lapse with Monica Lewinsky. But more important was his sin of omission - his failure to embrace a moral cause beyond popularity.
I liked what any other kid did back in the day. You know, Bob Seger, Alice Cooper, and everything else that was on the radio in Michigan. There was a lot of Steely Dan; just a lot of great music inspired me.
Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.
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