A Quote by Celeste Ng

A good poem is an amazing thing: a perfectly distilled, articulate moment. It opens you up - sometimes slowly, like the blooming of a flower, and sometimes with a quick knife-slice.
Sometimes the only way I know how to work through something is by writing a poem. And sometimes I get to the end of the poem and look back and go, 'Oh, that's what this is all about,' and sometimes I get to the end of the poem and haven't solved anything, but at least I have a new poem out of it.
Silently a flower blooms, In silence it falls away; Yet here now, at this moment, at this place, The world of the flower, the whole of the world is blooming. This is the talk of the flower, the truth of the blossom; The glory of eternal life is fully shining here.
Sometimes, we're so focused on being consistent that we also lower the bar on amazing. After all, the thinking goes, if we can't be amazing all the time, better to reset the expectation to merely good. Which robs us of the ability to (sometimes) be amazing.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
This life of ours...human life is like a flower gloriously blooming in a meadow: along comes a goat, eats it up---no more flower.
So sometimes the facts are good and sometimes the facts are bad, the important thing from the point of view of a principle as broad and important as freedom of speech is that the courts articulate and set forth in a very protective way what those principles are.
Writing tips are like mini skirts. Sometimes they fit perfectly, sometimes they make you cry, and sometimes you can reuse the material and sew yourself a pillow or something.
I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.
Am I good enough? That's a big thing. Sometimes I do put on a front of 'I'm amazing' and I do believe it, but sometimes I don't believe it.
It sometimes strikes me how immensely fortunate I am that each day should take its place in my life, either reddened with the rising and setting sun, or refreshingly cool with deep, dark clouds, or blooming like a white flower in the moonlight. What untold wealth!
Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books.
Sometimes you finish the poem, and that last piece clicks in place. Sometimes the poem is finished with you.
We sometimes have a flash of understanding that amounts to the insight of genius, and yet it slowly withers, even in our hands - like a flower. The form remains, but the colours and the fragrance are gone.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
My works really begin in a very simple way. Sometimes it's an image, and sometimes it's words I might write, like a fragment of a poem.
Time sometimes flies like a bird, sometimes crawls like a snail; but a man is happiest when he does not even notice whether it passes swiftly or slowly.
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