A Quote by Celeste Ng

I am not a contest-enterer by nature. But contests - and their entry fees - are often the main way literary journals raise money to, you know, publish their issues. So entering contests helps support the journal, which also helps support the writers they publish.
I have seen journals with good financial backing and editorial support die because they looked so bad nobody wanted to publish them.
I just submitted what I had to the 'Octopus Books' contest open reading period, and they said they wanted to publish my poetry book. Then I started to publish more and more poetry because people would ask me to do readings or ask me submit something for their journal.
Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.
So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
I was talking to my dad, who's a neurosurgeon. He had this academic paper he wanted to publish. Journals take about 18 months to publish a paper, and he just wanted to get things up there.
I'm an intense guy. I run 10 miles a day, which helps alleviate my intensity. Also, singing helps defuse my intensity. Playing the piano helps, and writing helps.
It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
You can't win all the contests and then lose at one contest and say, 'Why am I not winning this contest as well?' It's random. So truthfully, again, do I wish it weren't me? Absolutely. I still can't make that logistic jump to thinking there's a reason why it shouldn't be me.
I love what I do and know I'm good at it. It helps that I can get financial support along the way.
There are no contests in the Art of Peace. A true warrior is invincible because he or she contests with nothing. Defeat means to defeat the mind of contention that we harbor within.
I do a fair bit for children's charities. The big ones I support in Liverpool are Zoe's Place Baby Hospice, and Claire House Children's Hospice. I donate money and time but the time is what they value the most. If my inclusion at any event they're doing, helps them to raise more money, then of course I'll be there.
I keep a journal, like many writers do. It helps in writing a story, as you can use an incident from the journal and put in your story.
WikiLeaks does not publish from the jurisdiction of Ecuador, from this embassy or in the territory of Ecuador; we publish from France, we publish from, from Germany, we publish from The Netherlands and from a number of other countries, so that the attempted squeeze on WikiLeaks is through my refugee status; and this is, this is really intolerable. [It means] that [they] are trying to get at a publishing organisation; [they] try and prevent it from publishing true information that is of intense interest to the American people and others about an election.
There's a marvelous peace in not publishing, there's a stillness. When you publish, the world thinks you owe something. If you don't publish, they don't know what you're doing. You can keep it for yourself.
Universities think people come up with great ideas by closing the door. The academic tenure process, where you have to publish to journals which are very narrow, stands in the way of great research.
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