A Quote by Celia Imrie
My first job was in pantomime; I was a chorus girl in 'Dick Whittington' at 16. I got the part by ringing the director daily to see if anyone had dropped out, and it paid off eventually, when I was cast as a rat!
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As a kid, I was a dancer in Dick Whittington, Snow White and Cinderella. When I was 14, I played Baby Bear. I had a big head on, and you couldn't see my face. My mum was very disappointed.
She was a girl who for a ringing phone dropped exactly nothing. She looked as if her phone had been ringing continually ever since she had reached puberty.
My first paid job was delivering newspapers. The first paid acting job I got was dressing up as Edam cheese and handing out leaflets on London's Oxford Street. I got pushed over by these little herberts and given a good shoe-in.
When I was 16 the first girl I had a crush on wasn't interested at all. I liked her from afar for ages, and when I eventually got the courage and told her, and she wasn't into me.
Initially, dancing for me was just for pocket money. The dancers are paid well and you get paid on a daily basis. Eventually when I got promoted as an assistant choreographer I was getting paid more. This was during my college days.
At 16, I got a part-time job selling double-glazing door to door. That was soul destroying but the worst part-time job I did was at university working on reception in a sexually transmitted disease clinic. Because no one else wanted to do it, they paid £8 an hour.
I got a part as a chorus girl in a show called Every Sailor and I had fun doing it. Mother didn't really approve of it, through.
I went to Manchester, didn't know anyone, got a job as a runner and worked my butt off. I got paid 60 quid a week, and lived above a pub.
My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.
The first time I ever intersected with the quote unquote industry or Hollywood or being given a paid job as a director all came because of the reputation I got coming out of Sundance as a veteran Sundance filmmaker.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
When I was 13, I had my first job with my dad carrying shingles up to the roof. And then I got a job washing dishes at a restaurant. And then I got a job in a grocery store deli. And then I got a job in a factory sweeping Cheerio dust off the ground.
My career got off to a very shaky start when I dropped out of school at the age of 18. Despite my lack of academic credentials, I got a job as a fashion assistant at 'Harper's & Queen.'
As it has been told to me, my Dad had some kind of deal with Dick Clark. But when we got here, that fell through. So we were out here with no job, no furniture, no food.
I had read the Animal House script, and by hook and crook, I finally got an audition. It was a great one. John Landis followed me out into the hallway afterward and said, "I've never done this before, but you've got the job. Now don't tell anyone!" I've never had a director do that. It was one of those Hollywood-dream-come-true stories. They saw me as a surfer or cowboy, not a preppie, but someone begged and borrowed me an audition, and I went in and got it.
My first paying job was a in a production of Neil LaBute's 'Bash: Latter Day Plays' at the Union Street theater in Borough. I played the 'Medea Redux' character. That was my first job out of drama school. I can't remember how much I got paid. I'm sure it was pennies.
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