A Quote by Celia Imrie

There's a character I played in 'Love in a Cold Climate' - very like my mother. I asked if I could wear a man's shoes and hat to feed the chickens: all things from her. In fact, every part I play has got an enormous amount of her in it.
There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
There's so much with my character in Dredd that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
''Women of the Gallagher Academy, who comes here?" she asked. Just then, every girl at every table (even the newbies) stood and said in unison, "We are the sisters of Gillian." "Why do you come?" my mother asked. "To learn her skills. Honor her sword. And keep her secrets." "To what end do you work?" "To the cause of justice and light." "How long will you strive?" "For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas.
I'll show up at every classroom open house and teacher conference,' she said, now in a voice that was almost frightening in its intensity. 'I'll bake brownies. My child will have new clothes. Her shoes will fit. She'll get her shots, and she'll get her braces. We'll start a college fund next week. I'll tell her I love her every damn day.' If that wasn't a great plan for being a good mother, I couldn't imagine what a better one could be
He was always part of her thoughts, and now that he was real, he was inescapably part of her life, but it was as she had told her mother: saying he was part of her or that they were more than friends sounded like love, but it seemed like loss as well. All the words she knew to describe what he was to her were from love stories and love songs, but those were not words anyone truly meant.
Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
I knew I could play well on the grass, but I really played so well today. I knew exactly what I had to play to beat her. I just did everything I could in the moment. I was very focused for every point. I knew that I had to go forward for every shot I was playing to push her back, and yeah, I did it.
A man, at least, is free; he can explore every passion, every land, overcome obstacles, taste the most distant pleasures. But a woman is continually thwarted. Inert and pliant at the same time, she must struggle against both the softness of her flesh and subjection to the law. Her will, like the veil tied to her hat by a string, flutters with every breeze; there is always some desire luring her on, some convention holding her back.
My mother was the kind of person who was very much part of her tribe and very much a satellite of her tribe. She was the girl who left her family at the age of 17 and went to Washington. My mother was orphaned at three and then was brought up by my aunt Goldie. So, yes she belonged, but there was a part of her that didn't.
On the first day of middle school I wore high-heeled shoes that you weren't allowed to wear. I remember being so embarrassed because in every class I went to they kept pointing out that I couldn't wear these shoes. I wanted to call my mom and have her bring me new shoes!
I think I'm just proudest to be the lady who was asked to play Mary Poppins. She's such a wonderful character, and there's so much tremendous talent out there. So I feel very lucky to be the one who got to play her.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
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