I left school the day I turned 16, the earliest day I legally could. Determined to follow a life on stage, preferably with some dance connection, I applied for and won a place at the local drama school. I was on my way.
I left school at 16 and my mother got me a job as a trainee wine taster. But one day I followed some girls into St Martin's art school and saw a voluptuous woman sitting on a stool being sketched. I decided to get myself fired.
I realized that the actors that I liked and admired all went to drama school and got an agent that way. So I started when I was about 16 in drama school, and then I knew I had to wait until I was 18 so I could go on auditions, and I tried to get into one of the ones that I liked and then go from there.
One of the things I took from my wartime experiences was that reality was a stage set... the comfortable day-to-day life, school, the home where one lives and all the rest of it... could be dismantled overnight.
I'll never forget when I was 12 years old. I couldn't wait until the day I was 16 and could drive a car. I thought that'd be the end of life's problems. I mean, you can drive! What is there left? And then I turned 16 and realized there were still problems.
When I turned 15, I left school having failed to make the minimum grade. With little direction I enlisted at the local culinary school. Here the academic demands were less rigorous.
I'm from Texas and actually went to a regular high school, but every day after school I'd run to dance class and practice a lot and then go back the next day and stuff like that.
I think back on that day when 16-year-old me scribbled on some silly piece of paper for some long-forgotten high school career-day project that my dream job was 'romance novelist.'
At 16, out of school and pregnant, my own life could have been written off. It was the help I had from some of the then Labour government's policies such as Sure Start that turned it around.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
I went to the local schools, the local state primary school, and then to the local grammar school. A secondary school, which technically was an independent school, it was not part of the state educational system.
I started dancing when I was about 15 or 16 in my high school drama club, and then I liked it so much that they offered dual enrollment classes. So my senior year, I ended up taking college dance courses while I was in high school because I had good grades.
When I was growing up in Monrovia, the capital of Liberia, I sold doughnuts, popcorn and Kool Aid every day after school so that my family had some money and I could pay my school fees. It was a tough life.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.
I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.
One day, when I was about eight years old, some kids pushed me on stage at school during a talent show because they knew I could sing.