A Quote by Celine Buckens

I knew the story of 'War Horse' very well. I had read the book even before I did the auditions. I'm a big fan of Michael Morpurgo. — © Celine Buckens
I knew the story of 'War Horse' very well. I had read the book even before I did the auditions. I'm a big fan of Michael Morpurgo.
I'm a big fan of Michael Morpurgo.
Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.
Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.
My father is a huge horse racing fan, so I was introduced to the sport long before 'Seabiscuit.' But the role made me an even bigger fan. Horse racing is one of my favorite sports.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
I started with the book 'Boardwalk Empire' and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.
I started with the book Boardwalk Empire and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.
Well, before I knew there was going to be a film. I was the biggest Harry Potter fan. I read all the books.
I never was a big comic book fan. Obviously I'd heard them growing up from my friends who did read them, but I never was a big comic book reader.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
At that time, I had recently finished a book called Amazing Grace, which many people tell me is a very painful book to read. Well, if it was painful to read, it was also painful to write. I had pains in my chest for two years while I was writing that book.
It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
I'm a huge Emile Zola fan, and when Bill Gallagher said he was writing a new character for 'The Paradise' and had me in mind for the role, I knew I wanted to play Tom Weston before I'd even read a word of the script.
I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.
It's going to be hard to ever have a horse to replace Valegro. He is a professor. I think he read the dressage book and learnt it all before he ever did it.
I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
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