A Quote by Celine Dion
In terms of music, I can try anything I want, even something that doesn't work at all, because I'm not putting my career in jeopardy.
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If you try anything, if you try to lose weight, or to improve yourself, or to love, or to make the world a better place, you have already achieved something wonderful, before you even begin. Forget failure. If things don't work out the way you want, hold your head up high and be proud. And try again. And again. And again!
When you get in the middle of a career and you're successful, people come and offer you things. My biggest fear was that if you try to do something else and you're trying to build your music career, and then you say, "I'm going to go do a movie," and you're terrible, you can really hurt your music career because as a musician, the goal is to be cool. You're playing the guitar and you're in front of all these people and your vibe is to be as cool as you can possibly be.
I want to buy my mom a house; I want my family to never have to worry about anything. And I just want to have an amazing career in music, because I love to do it.
There's a lot of terms we come up with for the music that we're making because we want something that's going to be definitive. Often there is no word to encapsulate the emotion that the music represents.
I realize that I really have to make music work for me as a career because I can't do anything else.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.
In terms of my career, I am glad about the steps and moves that I have made. Because I would not want to blame anyone else but myself if anything goes wrong.
I'm looking for something that gives me a chance to stretch. Because I have my own work, and I can do anything I want in my own work - juggle, tap dance, anything I want.
I'm afraid, as true as love is, it is tested by circumstance and sometimes you don't make the best choices. As much as the fans claim [that] all they want is just want people sitting around and having a nice time together, trust me, you would not be watching the show if there wasn't conflict, if there wasn't drama, if there wasn't jeopardy. And it's not just physical jeopardy, it's romantic jeopardy as well.
I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.
I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I wanna be respected for that.
I don't want to be vain or fearful, and I don't think I'll do anything [in terms of plastic surgery], but if I want to do something, I will. From my perspective, there's no reason to be afraid of aging, because if you age, you're lucky! The alternative is death.
I don't think that I have much power at all, and I don't think that I'm trying to do anything outside of making my fans happy with the music that I write and record and, of course, I want to branch out and I want to have more fans, so I try to get interviews and I try to talk to different outlets and I try to get my music everywhere it can be.
With Sumthin Else Music Works, I wanted to spread the love and give newcomers a chance to make it because something that really helped me were all the people who had given me an opportunity when I was putting my career together.
If I just wear something because I feel like myself and I'm comfortable, that's okay - and that goes even for more edgy things. But if I try too much, or if I even try, it doesn't work. It doesn't feel natural, and I feel very uncomfortable.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
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