A Quote by Celine Sciamma

The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
You don't cover the federal government or policy-making or legislating, or you shouldn't, I should say, because you are looking for a scandal or you're looking for a personality-driven story, or you're looking for stories about people's love lives. That's not really what we do here.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
For a genre that's about looking to the future, science fiction has sure been looking backwards lately. Nostalgia is what sells best, with readers spending their money on movie tie-in novels and sequels to long-running series.
Google has you at a very specific mental state that is, looking for something. And what they've always been able to say is, we deliver your message at the exact time someone is, say, looking for fishing hooks or looking for marriage counseling or looking for a lawyer for a particular problem. And here we have our customers telling you what is in their heart and soul. It's something that, you know, advertisers have wanted for decades.
It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people.
There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family.
I think, mostly for people on the outside, it's a lot about numbers or stats. More or more. That's how the football world is going, in that direction. But I'm not really looking into it. I'm just trying to be the best I can, to create as much as possible.
A lot of people don't put the numbers together correctly. But Underworld, honestly, the way it came about - the real way it came about - I took a meeting with Dimension, and they were looking to do just a werewolf movie, and I wasn't too interested in doing just a werewolf movie.
I'm not that good looking... nobody is that good looking. I have seen a lot of movie stars, and maybe four are amazing looking. The rest have a team of gay guys who make it happen.
The only pitch I have to movie people is the same as this one: Just give me $8 million. I'm not telling you what it's about and I'm not telling you who's in it.
People think if you're a movie star, you're the boss. But first of all, I'm not a movie star, I'm in a very different place. I'm not looking to do what I want - I am looking for what we can find. It's a creative process.
What I love about the Bible is that it's a group of stories but it's all telling one main story. It's about Jesus Christ. The story is not about me. That takes a lot of the pressure off me, but it also puts the responsibility on me to point people to who the true story is about.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
A lot of what you do is about how you look. You're a good-looking guy who plays music, and you can't do anything about what happens because of that. If people say, "He's cute. I'm going to go buy his album," hopefully they'll like the music, too.
Now being 41 and looking back on my career... It became natural for me to revisit Inglewood and to revisit the coming-of-age movie, but not wanting it to feel like a period piece completely about nostalgia but wanting it to feel like something that was relevant today and also forward-looking.
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