A Quote by Celine Sciamma

I'm a woman director and my movies are shown all around the world. — © Celine Sciamma
I'm a woman director and my movies are shown all around the world.
I don't want to become more famous than what I am. I'm not interested in being in movies that are going to be shown all around the world and get a massive audience, so I'm interested in doing foreign movies as long as it stays an exceptional case and is exotic, but I don't want to go there [Hollywood].
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.
Why cannot a woman be shown working out of choice, the way men do? Can't a woman work because she enjoys it and is capable of doing it? Why should they be shown leaving home for employment as a sacrifice for the family?
After directing movies, I respect any director in this world, because making a movie as a director is tons and tons of work.
When political figures are shown on television or in movies, it's always the liberal Democrats that are shown to be humane, caring people.
It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
As sensors and networks continue to expand around the world, we'll see violence drop even further. After all, when there's a danger that your actions can be caught on tape and shown around the world, you're more responsible for your behavior.
I'm a theatre person, that's who I am. I'm happy to make sojourns into the world of movies but I'm basically a theatre director that potters off and does a couple of movies.
I started out as an assistant to a director on two movies, Miguel Arteta. The movies I worked on were 'Chuck and Buck' and 'The Good Girl.' I didn't even know I wanted to be a director until I started working with Miguel.
Actors become actors because they loved entertaining their family by putting on the lampshade and dancing around as a kid, ... That's not my personality. For me, the fun part of making movies is seeing it as a director sees it. I like the architecture of movies. I like knowing what's coming and working to set that up.
Scope movies shown on TV letter-boxed are always the big budget movies.
I think I'm a very American director, but I probably should have been making movies somewhere around 1976. I never left the mainstream of American movies; the American mainstream left me.
A director is a director is a director. Man or woman - it doesn't matter.
I believe every woman's body is beautiful in its own way. I have never understood that just because a woman has thick thighs, she is considered fat. For so long, I've been around in the modeling world and have tried to break that barrier. But I think now it's turning around.
Guy Ritchie is the worst screenwriter in the world, but, to be fair, he is not the worst director. He is only the worst director of the people who actually get to make movies. As we speak, there are human beings walking the Earth - perhaps as many as a half dozen of them - with less directorial talent, but they've been safely diverted into other activities.
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