A Quote by Celine Sciamma

I decided to put cinema at the centre of my life when I was 13 and going through the biggest crisis of my life: teenagehood. — © Celine Sciamma
I decided to put cinema at the centre of my life when I was 13 and going through the biggest crisis of my life: teenagehood.
There's a difference between just gaining access to a commodity as opposed to a spirit that allows us to live a life of love and justice, that when crisis and catastrophe hits you, that the biggest mansion in the world is not going to help you. If you don't have anybody who loves you, if you don't have any God who cares for you, that you're not going to have what it takes to move to the next stage in your life.
Once I discovered how important writing music was to me and just what a huge weight it lifted off of me, I knew that it was going to be the biggest part of my life, the biggest love of my life, the biggest thing in my life.
In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.
The single biggest way to stop the drug crisis is to educate people on the fact that if you do it, it's probably going to kill you or it's going to ruin your life. So why don't we all work together to stop that?
Cinema is empathy machinery, and we multiply our life experience through cinema. When it is good cinema, it almost counts as a personal experience.
It was mid-life crisis time and you can't have more of a mid-life crisis than going off on a motorbike.
When I turned 13 all of my life was designed around earning money to buy cinema tickets.
We already know enough to begin to cope with all the major problems that are now threatening human life and much of the rest of life on earth. Our crisis is not a crisis of information; it is a crisis of decision of policy and action.
I met a wonderful girl and decided to get married. And when I married, being an actor I did not think I could balance both cinema and personal life. Very difficult to do that because the cinema takes a lot out of you.
Look, the president is elected to lead and to face the country's biggest challenges. The country's biggest challenge domestically speaking, no doubt about it, is a debt crisis, and I'm really hoping that he is going to give us a budget that tackles this debt crisis.
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
I had moved back to Kenya after undergrad, and I went through this crisis of, 'What is my life going to be about?'
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
Becoming a father is the biggest change you go through in life - at least that I've gone through in life.
It's ironic my biggest mental crisis in life came when I actually succeeded. A lot of people talked about dealing with failure, but for me, dealing with success was probably the hardest time in my life.
You meet Rush at a certain point in his life where he's made a decision that he's going to not live by the moral code of being a doctor. He's decided to disengage with that side of his life for various reasons, which we find out through the first season.
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