A Quote by Celine Sciamma

I identify myself with the male gaze, I grew up with the male gaze, I've been excited by the male gaze. I'm a product of that culture. — © Celine Sciamma
I identify myself with the male gaze, I grew up with the male gaze, I've been excited by the male gaze. I'm a product of that culture.
I feel myself in ways to be the product of internalized male gaze.
For me, the male gaze is oppressive. And I hope if we are building a female gaze that it's inclusive, and it's about pure desire and not how I want people to look in order for them to be desired by me.
Regardless of the business aspect of things, is there a reason that there isn't a female Hitchcock or a female Scorsese or a female Spielberg? I don't know. I think it's a medium that really is built for the male gaze and for a male sensibility.
My work has always been about not being conventional and male gaze is convention.
Ninety per cent of what we look at is the male gaze. They don't see themselves anymore.
I've been constantly under male gaze. In our movies, women are constantly objectified.
You have woman filmmakers, who have a male gaze. They play according to the rules of the patriarchal system and make a success of it.
We're all already aware of boobies; it is the general state of most people in North America! THANKS, MEDIA AND THE MALE GAZE
Most times, women are seen through the male gaze, so they are often shown as housewives, girlfriends, or objects of desire.
Rawn did her own thing in her own way. She cast the female gaze on a genre heavy with all-male quest fellowships, trophy females, and the occasional Smurfette. Her world was male-dominated and highly patriarchal, but she populated it with notable numbers of well-drawn female characters.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
Nudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women.
When you're an actress - or just a woman - a lot of the exercise classes that are offered are so sort of male gaze-skewed. It's all working out for the beach and not for function at all.
It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
I still see storytelling for men by men that is always reinforcing the male gaze.
Society is patriarchal, so film industry by definition is certainly patriarchal. The male gaze dominated.
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