A Quote by Celine Sciamma
Of course, every movie is political, some people just deny it because they like the world the way it is.
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There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world.
right now.
I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.
Some people ask: "Why the word feminist? Why not just say you are a believer in human rights, or something like that?" Because that would be dishonest. Feminism is, of course, part of human rights in general-but to choose to use the vague expression human rights is to deny the specific and particular problem of gender. It would be a way of pretending that it was not women who have, for centuries, been excluded. It would be a way of denying that the problem of gender targets women.
Sometimes I just think depression's one way of coping with the world. Like, some people get drunk, some people do drugs, some people get depressed. Because there's so much stuff out there that you have to do something to deal with it.
Novels are political not because writers carry party cards -- some do, I do not -- but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist.
Some people ask, 'Why the word 'feminist'? Why not just say you are a believer in human rights, or something like that?' Because that would be dishonest. Feminism is, of course, part of human rights in general - but to choose to use the vague expression 'human rights' is to deny the specific and particular problem of gender.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
Because to me, what is interesting about this movie [Real Steel] is its combination of relationship naturalism with. It's like a single conceit movie. The world and the people are very much the way we know them to be, but this sport has evolved.
Every human being in this world is interested in certain things. Everybody has a hobby. Some people like art; I know nothing about it. Some people like books, some people like fishing, some people like music. I like to look at cars.
Five hundred thousand Americans die from tobacco poisoning every year, and it's legal. I don't know, it just that's the - you can't stop giving people organs because of bad behavior. If you keep on having bad behavior, then of course they'll deny you a liver, or whatever you need.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
In the age of social media, you have the selfie and some people - not always young people - seem obsessed with showing the world what their face looks like almost every day. Just like some people are obsessed with showing the world what their dinner looks like. It's beyond my understanding to be honest.
I don’t know if I’d do an action movie because I don’t know if I could keep a straight face honestly, I just think it’s so silly. Like I love watching them but I can’t imagine me doing one. Actually, you know what I’ve done, just for fun because I didn’t think there was any way that I could be in a superhero movie, so I’ve done a scene in the new “Thor” movie, just for that. I just do like one scene, which was quite fun.
There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
We live in a violent world, but since the success of films like Pulp Fiction, it seems every movie has some violence in it, and it's now being used as a form of comedy: audiences are now being encouraged to laugh when people get their heads blown off. I just don't like hearing people laugh at violence.
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