When people first vote for democracy, they have extremely high hopes, excessive expectations, and they're not realized. They don't instantly get richer and the schools don't instantly get better and the garbage isn't instantly picked up quicker. So they get disillusioned.
I think most people who were involved with television will tell you, if given a season or given a 13-episode order and getting those episodes on the air, and if viewers don't come, I think most people will tell you they'd walk away. They feel they were given a fair shake, and if viewers didn't come, they didn't come.
We're going to open up the libel laws. So when they write falsely, we can sue the media and we can get this story corrected and get damages. I would absolutely work to open up the libel laws. If you write something that's wrong, and at least, knowingly wrong but wrong, a person like me and other people can bring a lawsuits to have it corrected and to get damage.
The bulk of the emails tend to come after a column. I can get about 2,000 after a column.
We didn't make money but we never lost money. We'd sit around Times Square with fliers, walk around the Village and try and get people to come. Now you'd just tweet it, but that was the beginning of emails, or the beginning of me doing emails - I'm sure there were people in 1986 who were doing emails.
The wonderful thing about 'Star Trek' is that they're very open to suggestions for scripts and story ideas from the viewers. That's really unique.
We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'
We get a lot of emails, a lot of suggestions on the kinds of ideas and things that people would like to do. There's a lot of good ones, but a lot of them are something that the franchise couldn't or wouldn't endorse, just as being not consistent with what the NBA would want or, probably, what we would even want, too.
In England, I think we get about 30,000 for maybe an FA Cup final, and there are lots of kids on the seats, which is nice - don't get me wrong - but it's a calm atmosphere.
The writing for us is the hardest, but also the most important. You want to get to the next part of it, to production, but it doesn't matter how beautifully made it is if something's wrong with the story arc.
I'm a really smart player. If you tell me something, I get it quickly. If there is something wrong with my hitting, tell me what's wrong and I'll pick it up right away. That's the best thing I have going for me, my ability to listen to a coach and fix what I'm doing wrong.
Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie. The new ones are exciting because they're fresh. But if it's not that, if the story is not what you get into, maybe it's the crowd response. You hit the first chords of 'She's In Love With The Boy' and 20,000 people start to scream, you're pretty motivated. You get what you need. And it's a great story. It works.
The air in a man's lungs 10,000,000,000, 000,000,000,000 atoms, so that sooner or later every one of us breathes an atom that has been breathed before by anyone you can think of who has ever lived - Michelangelo or George Washington or Moses.
For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.
[S]uppose you make a hole in an ordinary evacuated electric light bulb and allow the air molecules to pass in at the rate of 1,000,000 a second, the bulb will become full of air in approximately 100,000,000 years.
The most important thing for me is appreciation from the viewers and the love which I get from them. This helps me to work passionately on my projects.