A Quote by Cesar Cielo

My mind is in another planet behind the blocks. Sometimes I'm up in the blocks, and I'm like, 'What am I doing here?' I'm just not trying to think too much. — © Cesar Cielo
My mind is in another planet behind the blocks. Sometimes I'm up in the blocks, and I'm like, 'What am I doing here?' I'm just not trying to think too much.
'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?"
Imagine blocks and blocks of no cocaine, blocks with no gun play.
I think they shouldn't allow cut blocks, because our knees are important to us, too. I know concussions are a big deal, too, but I think knee, cut blocks are a big deal, but that seems to be OK with the NFL. So they're not too concerned about safety, obviously.
Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
I came from a two-parent household and my father is a PhD from west Africa, but at the same time I grew up five blocks from where Obama lived and five blocks from the projects.
I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.
A woman asked me recently, "What are the blocks to my happiness?" I said, "The belief that you have blocks."
My mother liked to buy houses, fix them up, and turn them over. We'd live somewhere for a few months and then move to another house, sometimes just two blocks away.
There was our house in New Orleans. Two blocks in front of us were these beautiful mansions and two blocks behind us were the ghetto, projects, and that's where I had to go to school, but I would always pattern my life looking forward. It was almost literal.
If you really believe in what you're doing, work hard, take nothing personally and if something blocks one route, find another. Never give up.
If you really believe in what you're doing, work hard, take nothing personally, and if something blocks your route, find another. Never give up.
When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.
I like acting too much and it's too, I'm just too busy doing that and I'm too hungry for it, to get behind the camera. I mean, unless I could act in it, too. I don't think I've got the right brain. I'm too disorganized.
Prudence is sometimes stretched too far, until it blocks the road of progress.
The world has so many lessons to teach you. I consider the world, our earth, to be like a school, and our life, the classrooms. Sometimes on our planet life school, the lessons often come dressed up as detours and road blocks and sometimes as full blown crises. And the secret I've learned to getting ahead is being open to the lessons.
I like hearing fiddles, steel guitar, acoustics up loud - really rock & roll stuff but with a country sound behind it. That's just who I am. I'm not trying to prove a point; I am just doing what I like. But I don't have any problems with any other artist coming in and doing their own thing.
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