A Quote by Cesar Pelli
I needed to understand the spirit of a tall building, what makes it important, what should I try to achieve in a tall building. It became a very interesting problem, something that I like very much.
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I am all for greening tall buildings, but I'm also very keen to note that greening a building doesn't cope with the problem of the tall building in the texture of the city.
I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
The problem of the tall office building is one of the most stupendous, one of the most magnificent opportunities that the Lord of Nature in His beneficence has ever offered to the proud spirit of man.
He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that.
I'm in trouble if they can't, because everyone's taller than me, and if that's true, that means I can't have any friends! Alison [McGhee] and I look very much like, I was going to say Bink and Gollie, but I meant Mutt and Jeff. We look ridiculous when we walk down the street together, because she's so tall and I'm so short. But yes, tall people and short people can, and should be, friends. I, personally, like being short. I think it makes things easier.
Sallie Mae sounds like a naive and barefoot hillbilly girl but in fact they are a ruthless and aggressive conglomeration of bullies located in a tall brick building somewhere in Kansas. I picture it to be the tallest building in that state and I have decided they hire their employees straight out of prison.
I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
I knew, as everyone knows, that the easiest way to attract a crowd is to let it be known that at a given time and a given place some one is going to attempt something that in the event of failure will mean sudden death. That's what attracts us to the man who paints the flagstaff on the tall building, or to the 'human fly' who scales the walls of the same building.
I should like to make films that are not lowering to the spirit. A new building can be very harrowing, I should like to give people a chance to whistle.
People ask me what it's like to be tall, and I don't know what to say because I don't know any different. I grew up in a very tall house, so I wasn't an anomaly there.
I like men who have goals, something that they are passionate about and work hard to achieve. A good sense of humor is important too. And I like tall guys!
There's something in us that is very much attracted to madness. Everyone who looks off the edge of a tall building has felt at least a faint, morbid urge to jump. And anyone who has ever put a loaded pistol up to his head... All right, my point is this: even the most well-adjusted person is holding onto his or her sanity by a greased rope. I really believe that. The rationality circuits are shoddily built into the human animal.
If you can only be tall because someone else is on their knees, then you have a serious problem. And white people have a very, very serious problem.
We have become so quick and effective in building things today. It would be easy to build another Pyramid of Giza or another Great Wall. But these buildings haven't withstood the test of time because of their building quality. They stand tall because they have a symbolic value, they represent a culture.
We are all built differently. Some guys are more powerful. Some guys are very tall. I'm not very tall, so I rely on quickness.
The chief characteristics of the tall building is that it is lofty. It must be every inch a proud and soaring thing, rising in sheer exultation so that from bottom to top it should be a unit without a single dissenting line.
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