A Quote by Cesar Pelli

I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens. — © Cesar Pelli
I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens.
Our revolution is like Wikipedia, okay? Everyone is contributing content, [but] you don't know the names of the people contributing the content. This is exactly what happened. Revolution 2.0 in Egypt was exactly the same. Everyone is contributing small pieces, bits and pieces. We drew this whole picture of a revolution. And no one is the hero in that picture.
Architects are mostly self-centered and their buildings express their ego. [They are] not social buildings to make it more comfortable for people - to make life better for people. The cities have to be designed so people can get together and talk with one another.
We are bound by ideals that teach us what it means to be citizens. Every child must be taught these ideals. Every citizen must uphold them.... I ask you to be citizens. Citizens, not spectators. Citizens, not subjects. Responsible citizens building communities of service and a nation of character.
If our designs are failing due to the constant rain of changing requirements, it is our designs that are at fault. We must somehow find a way to make our designs resilient to such changes and protect them from rotting.
Frank Gehry designs buildings that make other architects half his age (he's 78) gasp with envy. Neotony is what makes him lace up his skates and whirl around the ice rink, while visionary buildings come to life and dance in his head.
So, we should work on imparting quality education and make our children responsible citizens. For that, we should also come forward and do our bit. So I want to open an academic institute for the underprivileged children, where they can acquire knowledge and become responsible citizens.
I try to make things that are not elitist. There's enough places in the world where we're excluded. I do not ever want to be contributing to that. I want to be contributing to opening the doors and gates for women.
The strength that comes from human collaboration is the central truth behind civilisation's success and the primary reason why cities existwe must free ourselves from our tendency to see cities as their buildings, and remember that the real city is made of flesh, not concrete.
You look at energy use in the U.S. and one-third of it is automotive or our transportation system, one-third of it is manufacturing and one-third of it is buildings. That means architects are responsible for one-third of energy by their designs. So not only is it dire, it's also something that we can do.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
Our message will be that we're going to make federal government buildings a model - an energy-efficient model - and also start matching grants for cities and counties so that they can also do the same with their government buildings.
In some cities they tear down buildings to save taxes. They might try tearing down some taxes to save buildings.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
The very first pieces of film that I did were really graphic designs translated to film. Graphic designs that moved. That was a very new notion.
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