A Quote by Cesaro
There's always a transition if you go to a new territory or a new company or a new country or wherever because there's different styles and different crowds that you perform in front of. Of course, it always takes a little bit of time to find your groove.
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I love getting to travel and perform to different crowds because you're exposing yourself to new music, new cultures and the atmosphere is always so unique.
The beautiful thing about art is that there's always somewhere to go. There's always something new to explore and, as an artist, that's just what I want to do. I wanna keep exploring new things with different directors with different producers and different styles and tones.
Of course, in the beginning it's always difficult. It's a new country, new teammates, so you need to find the relationship with all the players. Obviously it takes time.
I think for me, fusion is a word that describes a positive, collaborative combination of different styles. Every kind of new music was created by a fusion of different styles because to move on and find something new you have to allow all the influences within yourself a voice.
The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
It feels amazing to be back on set. It feels like home, even though the territory is a little bit unfamiliar because it's a new show, it's a new character, but once you get in the groove and you start to settle in and trust the moment, you start to really feel at home.
It isn't the changes that do you in, it's the transitions. Change is not the same as transition. Change is situational: the new site, the new boss, the new team roles, the new policy. Transition is the psychological process people go through to come to terms with the new situation. Change is external, transition is internal
Because you see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.
When you get new people around you, the excitement is new because they have different take on your music. They play it in a different way, and that's always exciting to be around. It elevates everybody onstage.
We can never achieve perfect football at Bayern because the game is always changing. There are always new influences and different styles.
Country music is just country. It's going to shift around a little bit, doing some different instrumentations, different production styles. But it will always come back to what you heard at the Opry. Nobody wants it to change.
New York is not a place that lets you be indifferent. New York is this kind of place that, wherever you go, wherever you move, you are always confronted by your own time.
With books at least, the best experiences are not when you find what you were looking for, but when something quite different finds you, takes you by surprise, shifts your tastes to new territory.
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
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