The Giant Swing is a throwback. I used it prior to WWE quite a bit. One of the days, I thought about bringing it back. It connected with the crowd. I've been doing it ever since.
From the artist's standpoint, are you getting more from streaming than you used to, prior to the days of the Internet? No - and I don't know if those days are ever going to come back - but at least, technically speaking, it's the legal way to do it.
I try not to hit a swing volley and run back. So my swing volley is kind of that transition to the net. It's been one of my favorite shots ever since I was young.
Actually, a person asked me if I was ever going to come back to WWE. I told them that if I came back, it probably wouldn't be as WWE Superstar, because the young guys are really what it's all about. Bringing me back as an announcer is a great position for me to actually go out and make the young guys bigger stars.
Ever since I was a kid, this is all I've ever wanted to do. I used to pretend to be a WWE superstar.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
To be allowed to come back to WWE is the greatest gift that's ever been given to me. Back in the day, I never appreciated what WWE had given me, because I was in too much disarray and too confused about my own life. I let opportunities foolishly slip through my hands.
Ever since I got on Days I've been doing theater.
My mother used to tell this corny story about how the doctor smacked me on the behind when I was born and I thought it was applause, and I have been looking for it ever since.
I've been in the ring with so many guys, and I've been in the ring quite a bit with Randy. The WWE live events are... a little bit different from what you see on TV. It seems to flow better; more matches, longer wrestling.
Maybe I was just born in the wrong era, man. I'm a bit of a throwback to the days of black and white movies. Those guys back then, they had a certain kind of directness about them. A lot of the screenplays, the plots were very simplistic - they gave rise to a type of anti-hero that maybe I suit better.
There's something quite joyful about doing comedy which doesn't really need much analysis. I'm not elitist. I like to do crowd-pleasing stuff which is a bit smart, but is just about belly laughs.
I have tattooed on my hand the silver throwback mics from back in the day. My father used to have one of those when he'd lead people at the YMCA doing the cha-cha slide.
Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that.... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back and back to the bit in its lesson that it wants to shirk.
I never thought I'd end up doing comedy, but actually, it's been something I've really relished the challenge of and ended up doing quite a bit of.
People can say what they want about WWE. Paul Levesque, Vince McMahon, Michael Cole - they all gave me another life by bringing me back to call NXT. That's where I should have been in the beginning.
I've been asked to do a retrospective since I was about 28 and I always thought that was a bit odd. It's great to look forward as an artist because in the future the possibilities are infinite; you look back and it's all fixed so it's a scary thing.