A Quote by Chad Gilbert
We'd practice in my living room and it was awesome. Our parents were pretty supportive of it because they thought it was cute. I don't think they ever realized how far we would go with it.
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I used to want to be tall, and then I thought, 'If I were tall, then people would say I was pretty and not cute.' And then I realized that there are worse things than being called cute.
I'm in a real minority as far as having really supportive parents in regards to the arts. They never batted an eye as far as not letting me do that stuff. That's invaluable. I can't believe how unabashedly supportive they were about everything, between music and acting.
And that is how Goodwin problems were always fixed. Fix them on the surface but don't go to the root, always ignoring the elephant in the room. I think that morning was when I realized I'd grown up with an elephant in every room of my life. It was practically our family pet.
I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.
We're living in a time when pretty much anything can happen in the music world. There are a lot of musical languages in which people work. When I think of common practice I think back to the time I was studying the flute, where I learned that in the Baroque period many things were not notated, since they were understood - that was because of common practice.
Why on earth is the 'New Yorker' publishing puff pieces about pretty girls who go to parties? Does the 'New Yorker' ever run photos of cute boys just because they're cute and they come from money and they go to lots of parties?
Our natural thing to do when we break away from our parents and our family is to decide in how many ways they were wrong and bad, and the older you get you start to realize, "By 'bad' I mean 'different'" and then you get a little bit older and you think, "And by 'different' I mean 'pretty awesome but just not like me.'"
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
I was pretty far gone, but not so far gone that I thought anyone with half a toehold in reality would think what we were doing was a good idea.
When I was a kid, I remember I used to hide under the bed sometimes because I didn't want to go to practice. Even when I didn't want to go to practice, it could be pouring rain outside, and I'd be like, 'Yes, no practice today,' and my mom would be there, and we were still going, and we'd have practice under the pavilion.
That's you, right?' he asks me. 'Yeah.' 'Cute. Not that I, uh, think little kids are cute. Just that you were cute. I mean, you can see how you turned out to be so...oh.
In 'The Next Three Days,' even though it was a prison breakout movie, I was asking myself, 'What would I do? How far would I go for the woman I loved? How far would I go, and what would I do when the person then told me that they were guilty? Could I still believe in them?' So it was very personal.
My parents thought it was nice to develop my imagination, but they never seriously thought that anything would ever come of it. They said that I couldn't be an actress because I would be taller than all my leading men, so I thought I would be a writer instead.
My parents were part of the Christian Family Movement, where we would have Masses said in our home and rotate with other families. I recall priests coming to our home and saying Mass in our living room. Catholicism was really woven through so much.
My parents were super supportive of my big dreams; I was pretty lucky. I guess I became a musician because I didn't see myself doing or loving anything else as much.
My parents worked in the art world. They were really supportive of my music in that they allowed me to drop out of school and move out of our home, which not many parents would do.
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