A Quote by Chad Gilbert
'My Friends Over You' has two guitars, but if you listen to us live, it's the same... I know how to hit a rhythm note and play lead at the same time.
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Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
And if I'm ahead, I can sometimes tell. It might mean I'm having a good swim, but pretty much, I'm just focused on how fast I'm going, how fast I'm feeling, and pretty much block everything out, the sounds, the sights, just kind of listen to the rhythm of the water, and just maintaining the same stroke, the same rhythm, the same tempo, and thinking about how I want to get my hand to the wall.
When I play live, I feel how the audience is going and follow and lead at the same time.
I don’t know how you can stand it. Over and over again, the same sadness—” He lifted her up. “The same ecstasy—” “The same fire that kills everything—” “The same passion that ignites it all again. You don’t know. You can’t remember how wonderful—” “I’ve seen it. I do know.
I am a young adult author, and so are quite a few of my friends. We all write books for the same demographic; many of us are even published by the same publishing house. Two of us, in fact, share the same editor.
I have friends in different parts of the world, and they'll all go online at the same time and all pull up a movie and hit play, at the same moment, and then they'll comment to each other about it. They're sharing an experience, even though they're on different parts of the planet.
When you're playing someone who drinks a lot, it's not that interesting to play that condition because as soon as you know that, you got all the information you're going to get from it. It's like hitting the same note on the piano over and over again.
I listen. I like to give advice. Mostly, Ill just try to listen to my friends, and theyll say the same thing over and over again.
There's usually a sense of humor about all of it. It is what it is. I had two characters that were equally detestable, in very different ways, that hit the airwaves, at the same time. It was a very interesting year in my career, in that way. But I have no fear, on that note. I have a new project for HBO, where I'm going to play the good guy. That's going to be fun and exciting, and shift the paradigm a bit.
You're right, we both have been working on these films [Kung Fu Panda] forever and we know these characters so well that literally we will react to the same note in the same way. We will have the same answer most of the time.
I think the problem with a lot of the fusion music is that its extremely predictable, its a rock rhythm and the solos all play the same stuff and they play it over and over again and theres a certain musical virtuosity involved in it.
I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
When I studied how to think in school, I was taught that the first rule of logic was that a thing cannot both be and not be at the same time and in the same respect. That last note, “in the same respect,” says a lot. As soon as you change the frame of reference, you’ve changed the truthiness of a once immutable fact.
It's funny how two people can grow up in the same town, go to the same school, have the same friends, and end up so totally different. Family, or lack of it, counts for more than you'd think.
That's what just hit me: How you really can't have everything. You have to give up the old to get the new. You can't be the child and the mom at the same time. You can't be your young self and your old self at the same time. You can't know what you know now and feel the way you did then. You can't, you can't, you can't.
I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.
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