A Quote by Chad Gilbert

I suppose we don't know that much about how the music business operates in the U.K., but from what I've heard, it's a pretty big deal. — © Chad Gilbert
I suppose we don't know that much about how the music business operates in the U.K., but from what I've heard, it's a pretty big deal.
The tagline behind "House of Lies" is funny, dirty, business. The show is a comedy satire about how big business operates. Most Americans that work in corporate America should be able to relate to this show.
I think that surprisingly few people right now know much about [Buckminster] Fuller beyond the few really iconic points. He invented the geodesic dome and he coined the term "spaceship earth" and that's pretty much the extent of what people who even have heard of him know. And I'm struck by how many people have not heard of him at all.
It's different, but it's very pretty out here. I suppose they are going to make a big deal of all this.
You do a deal - business deal, real estate deal, stock deal - protect yourself at all times. I got that from boxing. That's from A to Z: that covers everything in life. And it started when I heard it in the ring. They don't say that in basketball or football or any other sport that I know of but boxing.
As for the music business itself, the key things have not changed that much. It operates like any business and money still keeps things moving.
I started writing when I was about fourteen, but when I was about sixteen you know, I heard Outkast, that was pretty much when I was sold on it.
We demand that big business give the people a square deal; in return we must insist that when any one engaged in big business honestly endeavors to do right he shall himself be given a square deal.
If you don't donate to Obama and you're a major corporation like Big Oil, then they're gonna blame you for climate change, destroying the planet and they're gonna get everybody turned against you and hating your guts and so forth, and that's how they operate. That's not how Trump operates. That's not how Mike Pence operates. They understand the simple mathematics of economics.
I am more mature now and know how to deal with certain situations in football. It's not all about highs; there are also lows, but I can deal with it. Football is a hard business.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
I want people to talk about my comedy, about cancer, about body issues, about scars, because cancer, it's a big deal, but scars are not a big deal. My skin healed. Relax, you know? That's all it is.
When inflation begins to rise, that's a situation we know how to deal with. When the economy is not doing well, and we're stuck at zero, that's one we don't know so much about - or we know about it that it's bad.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
I don't think that Mitt Romney can legitimately say that he learned anything about how to create jobs in the LBO (leveraged buyout) business. The LBO business is about how to strip cash out of old, long-in-the-tooth companies and how to make short-term profits. All the jobs that he talks about came from Staples. That was a very early venture stage deal. That, you know they got out of long before it got to its current size.
My first big acting performance was in the Marilyn Monroe biography piece, and it required frontal nudity. I talked to Mira Sorvino, my co-star, about how nervous I was because I didn't know how my mom would react. She said, 'Can I be completely honest with you? I've seen your mom in interviews, and she seems pretty screwed up. I don't think there's much you could do to shock a broad like that.' And from that moment on it was big nipples to the wind!
This site uses cookies to ensure you get the best experience. More info...
Got it!