A Quote by Chad Hurley

EMI is a proven leader in the emerging digital music landscape and one of the world's largest and most respected music companies. — © Chad Hurley
EMI is a proven leader in the emerging digital music landscape and one of the world's largest and most respected music companies.
Companies that pretend to care about music and really care about other things - whether it be hardware, whether it be advertising - and now they look at music as a loss leader. And we know music isn't a loss leader; music is an important part of our lives.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
AIG would be doing fine today. It was one of the ten largest companies in the United States in terms of market value, over 200 billion, the most respected insurer and everything in the world.
I'm overly excited to finally announce this amazing global partnership deal back home with EMI Music. I know I have mentioned doing music in the past but for legal reasons I was not in a position to release any new music.
Generally speaking, the business of music streaming is treacherous at best: Consumers don't seem to want to pay big money for access to digital music services, so companies must keep the fees low.
Music feels so environmental to me, especially the process of working with synths or mixing. I started thinking about music as a psychological landscape as well. It's a landscape of the mind.
I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I wanna be respected for that.
There are only two companies in the world that can help me. That's Facebook and Google, because they are going to make me the largest digital network in the world, which is my goal.
Things always change and evolve and now there are a lot of other ways for people to hear music that weren't as available in the past. Yes there are way more venue closures, but at the same time there are so many newer ways via social media and other digital platforms for emerging artists to spread their music and make an impact.
Music companies are not technology companies any more than technology companies are music companies. They're really different from each other.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
If your whole world of a band or music is taking place in a digital realm or on technological devices, it's all mediated through those things. That takes away from the experiential and sensual nature of music. That's a lot less exciting for me to think about. It's not my ideal way of living with music.
I think for me, the only depressing music is music that doesn't give credence to those kinds of feelings, music that's just written for money or commercial reasons. Sad music can be the most uplifting thing in the world.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
Coming from the era of vinyl you could argue that everything went wrong in the music business the moment we went digital. The day the first CD came out, it all went downhill in the music industry. Digital destroyed everything.
I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.
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