A Quote by Chad Lowe
Adrian Lyne is such an incredible director.
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I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them.
I remember going to see those Adrian Lyne films when I was going to see movies in the nineties, and I was jealous he wasn't working at New Line.
Madelyne, I would like to speak to you in private after dinner." "Speak to me about what?" Madelyne demanded with a disgruntled look. "Men and their horses," Duncan told her
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian.
Adrian shook his head, still smiling. "I've said over and over, I'd do anything for you. I just keep hoping it'll be something like, 'Adrian, let's go hot tubbing' or 'Adrian, take me out for fondue.'" "Well, sometimes we have to--did you say fondue?" Sometimes it was impossible to follow Adrian's train of thought. "Why in the world would I ever say that?" He shrugged. "I like fondue.
All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us.
On various shows, I've been the producing-director, the executive producer-director; and if you were working with the material you love with the right group of people, it's an incredible job to be doing.
I’d mentioned this odd wardrobe choice to Adrian a couple of weeks ago: “Isn’t Dimitri hot?” Adrian’s response hadn’t been entirely unexpected: “Well, yeah, according to most women, at least.
Who’s she? Just another Ivashkov. There are tons of them. Probably because all the guys like Adrian and have all sorts of illegitimate children." "Adrian doesn’t have any children." "That we know of.
You can have an amazing director and terrible script, and the film's not going to be great. But if you have the most incredible script and an okay director, you could still get a really good film.
I wrapped my arms around his neck and pulled him closer. I didn't care that we were out in public. I didn't care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime.
Adrian ordered a martini, earning disapproving looks from his father and me. "It's barely noon," said Nathan. "I know," said Adrian. "I'm surprised I held out that long too.
The door opened, and we were met by a fifty-something man with a grizzled blond beard. He was wearing Bermuda shorts and a Lynyrd Skynyrd T-shirt. Also, he had an eye patch. "This is incredible," I heard Adrian murmur. "Beyond my wildest dreams.
My first movie ever was 'Breaking Away.' I stumbled into an incredible part in a movie that was incredible to be a part of. Peter Yates, the director, became a lifelong friend. He sort of plucked me from obscurity and gave me a life.
Rob Zemeckis is an incredible director.
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