A Quote by Chad Smith
Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.
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Your equipment DOES NOT affect the quality of your image. The less time and effort you spend worrying about your equipment the more time and effort you can spend creating great images. The right equipment just makes it easier, faster or more convenient for you to get the results you need.
As the equipment has gotten better - and it's gotten better in an attempt to try to protect the player more - then the equipment becomes used more as a weapon.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
Ultimately, the bread and butter of McDonald's is delivering great service, great quality food, at affordable prices day in and day out.
Jamaica's a country of great dichotomy. On the one hand you have a tourist industry with great beaches and resorts, but on the other you have such great poverty and the violence that goes along with that.
If you are having trouble making a chord, get a book, that is how I learned. There are guitar tuning apps so you can tune your guitar, and just learn how to play along with your records. And it's great to be able to play along with another musician. That is like trial by fire.
In the past, I've told people to get me DVDs: like, the box sets of entire series. When you're overseas and there isn't much else to do, they can be great.
The best thing I ever bought will always be the next piece of musical equipment. I'm always interested in new techniques and there seems to be a never ending supply of great equipment to play, and to play with. My studio is a bit of a playroom.
I learned how to play guitar by playing along to Jane's Addiction records and Smashing Pumpkins records, things you can totally hear if you listen to my guitar.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
My stylist has really great taste - Petra Flannery has really great taste. I mean, I am opinionated, and as time goes on, as I've gotten to see more dresses or more clothes, it's easier to say, 'I like that' or 'I don't like that,' but it's nothing I would ever, you know, design.
The 2001 tour to Australia would have been a great highlight in my career if the Lions had won the series. That might sound strange because it was a great tour in many ways, but, for me, the more time goes by, the less of a career highlight it becomes, and just more of a frustration.
I feel great about [War Cries regular series]. It's my third year with the show and every season the part's sort of increased and gotten more and more interesting so I'm really thrilled to just be more a part of things.
When you're doing a play, you're onstage, there's no stopping or starting, there's no stopping to reposition for the camera or have a check done. You're there 'till the end of the show. What that gives you is a great gift, which is to command the audience, and you get to play with your script and your fellow actors. Every night, it's different. Hopefully it goes well and you get a great response. But the technique that you have to have on film or television is so delicate. It's fine-tuning. That is very different from being onstage, but they both have important skill sets.
My third day playing saxophone, I was in front of a congregation. I still didn't know the names of all the notes. I was playing by ear, following along, but it was such an encouraging environment, I couldn't fail. It was all, 'Yeah baby, you sound real good' no matter what you play. It was a great way to learn.
I would want to be known as a great singer; that the records I've made and the performances that I've done to be remembered. But the voice is the most important thing. The showmanship goes along with it. But I want to be remembered for my vocal ability.
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