A Quote by Chad Stahelski
I think we're all kind of alike when you do your first film. You have great hopes, but you don't hope too much.
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It's too much of a responsibility, too much stress, and to do justice to Sri in my first film as a director would be really tough. We can't separate our personal equation and become professionals on the sets. So no, I'm not directing Sri in my first film.
You fear the world too much,' she answered gently. 'All your other hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off, one by one, until the master passion, Gain, engrosses you. Have I not?
In a recent dream, God revealed to me a door leading us into four new hopes that will prepare us to be like those who were healed and strengthened in hope and able to stand when the lightning bolt hit. We deal with these fissures of hopelessness by stepping into these new hopes. The four new hopes that I saw the Lord giving us in this time are: Hope for the Unseen, Hope Against Hope, Carefree Hope, and Childlike Hope.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
Hope your wildest hopes, dream your maddest dreams, imagine your most fantastic fantasies. Where your hopes and your dreams and your imagination leave off, the love of my Heavenly Father only begins.
[On School Uniforms] Don't these schools do enough damage making all these kids think alike, now they have to make them look alike too? It's not a new idea, either. I first saw it in old newsreels from the 1930s, but it was hard to understand because the narration was in German.
'Gravity' is a great example of a movie that we hope they're going to do more of. It's really entertaining, with a female star. It's not the kind of film you typically see, and gives me hope.
A certain kind of film is a big theatrical film and a certain kind of film isn't. It doesn't bother me so much that you can pick your format.
I think in some parts of our English history we've had huge amounts of almost too much great comedy. You kind of wonder how so much great work could come out of one country.
I think what's so great about making your first feature film is that you're so naive in some ways; you don't know what to expect, and you don't question things as much because you're just trying to figure it out as you go.
I think the endeavor is to just make your film and then hope it travels as much as it can.
...first thing is that I love you. And the second thing is that as much as I honor your former profession, I don’t think your geese care much for your betrothed and I hope they hadn’t any plans on sharing our bed.
In film, there's this kind of constant fear that you're going to be doing too much. That may be an unfounded fear because I love sizable performances on film, especially when they're by performers who push the boundaries of what people deem the right kind of size.
I just hope the film [Aquarius] doesn't feel overly nostalgic because too much nostalgia for me leads to depression. I think Clara is very pragmatic.
Our senses will not admit anything extreme. Too much noise confuses us, too much light dazzles us, too great distance or nearness prevents vision, too great prolixity or brevity weakens an argument, too much pleasure gives pain, too much accordance annoys.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
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