A Quote by Chadwick Boseman

I got scars from every film I've done, every TV show. — © Chadwick Boseman
I got scars from every film I've done, every TV show.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
Every TV show is a crapshoot, really. But every once in a while, a show gets anointed as 'the show.'
It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.
I have scars from every film I have made. There is nothing to protect actors. They treat you worse than a dog. You work like a slave, and you know, I like it. That is the way it should be. Every film should be like your last.
In the States I got asked to do every TV show.
My whole life is a practical joke. Every evening and every show has really become about entertaining me. I was always like that. And now I've come full circle because that's what the TV show is too.
You've got to earn it every day. It's never enough when you think you've done enough. That's when you start to get on the decline... You've got to earn it every day, practice hard and show you belong.
One can do a film and not work for six months, but on TV, you have to produce good content every week. It involves a lot of hard work, as one has to fight for ratings every week. But I have always got love from the audiences, be it during 'The Great Laughter Challenge' or 'Comedy Circus.'
You can't flood the market with every TV show, every reality show, and dump your library into the market all at one time and not have some kind of game plan in terms of pricing.
I've got so many stories about every film and show I've ever been in.
I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.
I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.
Every TV show I've ever made, every game I've ever built, and every book I've ever published has had the common thread of building the biggest, brightest spotlight imaginable and then flipping it around to shine on you.
For me, for every single job, I don't care if it is a reading, I don't care if it is a guest spot on a TV show, or a film. I always get the heebie jeebies.
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