A Quote by Chadwick Boseman

I can't even imagine something being more fun than playing James Brown onstage. — © Chadwick Boseman
I can't even imagine something being more fun than playing James Brown onstage.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !
The James Brown story is not about James Brown. It's about who's getting paid, whose interest is involved, who can squeeze the estate and black history for more.
The James Brown we saw tended to be the James Brown we chose to see: as the caped crusader of funk and soul, adored by millions, or as the face in a seemingly endless series of mug shots. The ways in which he appealed to and appalled different audiences made Brown a kind of national Rorschach test.
My mom was a big fan of Al Green... James Brown we weren't allowed to listen to, so of course I knew James Brown.
Prince is from the school of James Brown, and I love James Brown because of all the great rhythms he plays.
James Brown died owing me $50,000. But I loved James Brown.
A guy like James Brown has walked the walk, talked the talk. I can't disrespect James Brown in any kind of way. In my household, the adults tell you where to get off at.
Imagine if James Brown was your roommate. What? Do you know how much fun you'd be having all the time? Oh my God, he would have you looking the freshest. He would have you doing the funnest stuff for sure, easily. You'd be having the most crackin' parties.
I have had very little interest in being an icon or visual representation for my music. I like playing music with my bandmates and I have more and more fun onstage these days, but the part where you're supposed to be a salesman for your music is pretty unappealing to me.
I love James Brown, and as a baby, I was always dancing to James Brown.
My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you'll see you had to be sharp onstage.
When we enter the landscape to learn something, we are obligated, I think, to pay attention rather than constantly to pose questions. To approach the land as we would a person, by opening an intelligent conversation. And to stay in one place, to make of that one, long observation a fully dilated experience. We will always be rewarded if we give the land credit for more than we imagine, and if we imagine it as being more complex even than language. In these ways we begin, I think, to find a home, to sense how to fit a place.
You can't really dance properly to James Brown. If you dance to James Brown, you look like an idiot. There's a lot of jerking.
I think being central to the culture is overrated. Who really gives a damn if something is popular? Jay-Z isn't actually any better than James Joyce even though more people understand him.
No matter what, I'm trying to have fun and, depending on the mood, fun can be on a roller coaster and playing onstage, or fun can be sitting in a room with three of your best friends talking for two hours.
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