A Quote by Chaim Potok

Yes, there is some thought about making a film of My Name Is Asher Lev. — © Chaim Potok
Yes, there is some thought about making a film of My Name Is Asher Lev.
My name is Asher Lev... I am a traitor, an apostate, a self-hater, an inflicter of shame upon my family, my friends, my people; also, I am a mocker of ideas sacred to Christians, a blasphemous manipulator of modes and forms revered by Gentiles for two thousand years.
… the world will indulge you just so long Asher Lev. Then it will stop. You will simply have to grow accustomed to that truth.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
I'd never really considered film. If I'd thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
Id never really considered film. If Id thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
In 1993, my first documentary was about the civil war in Algeria. That was in French and in Arabic. Another short film I did was silent. What I'm trying to say is that, yes, I'm Italian, and yes, I make films with Italian money, but personally, I've always been invested in the broader world of film-making.
Actually, my true name is Rosa Dolores Alverio. And then I became Rosita Moreno when a stepfather stepped in. And when I got to MGM studios, which was my first film contract, they just thought that Rosita wasn't a good name, and they changed it to Rita. And yes, it was their idea.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
Some people say heroines just have to look good and provide the glamour. Some say, from dance-n-song routines, heroines have come a long way. Today, the heroine's name adds weight to the film, though maybe they can't carry the whole film on their names. I believe, yes, we do contribute a lot to films.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.
When I was starting out, I thought about how the Internet is global and that we should have a global name, a name that's interesting. At that time, the best name was Yahoo! Suddenly I thought, 'Alibaba is a good name.'
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
If I work with Shah Rukh, it will be as an actor, not a star. Whenever I have thought of making a film with some star in mind, I've abandoned the film in a few weeks.
The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.
So," says Lev, as casually as he can, "you wanna dance?" "Do you believe in the end of the world?" she responds. Lev shrugs. "I don't know. Why?" "Because the day after that is when I'll dance with you.
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