A Quote by Chaim Potok

To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.
When a child who has been conceived in love is born to a man and a woman, the joy of that birth sings throughout the universe. The joy of writing or painting is much the same, and the insemination comes not from the artist himself but from his relationship with those he loves, with the whole world. All real art is, in its true sense, religious; it is a religious impulse; there is not such thing as a non-religious subject.
I have sympathy for anyone who finds consolation anywhere we can. And many people do find it in religious tradition as it has been. I mean, I love much of that tradition. But somehow, that just didn't speak to me in the way that it does to some.
I think the media in America have been absolutely fantastic about the rise of Trump, they've kept a firm eye on the ball: this constitutes democracy, this constitutes transparency, this constitutes fairness, this constitutes the way to behave in a civic society, this constitutes fascism, this constitutes authoritarianism. They're drawing that line, and they're calling him out every time. That's really what needs to happen, and you just have to do that.
All real art is, in its true sense, religious; it is a religious impulse; there is no such thing as a non-religious subject. But much bad or downright sacrilegious art depicts so-called religious subjects.
My non-fiction films are pretty much fiction, or at least close... It's all "movies" for me. I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.
I never finished any of my early stories. They were all beginnings, an endless number of beginnings.
I've been writing since 1973. I've written nonfiction things of that nature, but I'm probably best known for crime fiction and, to some extent, horror fiction.
I'm reading a bunch of fiction by Afghan and Iraq War veterans for a New Yorker piece. There hasn't been that much, but it's starting to come out, and some of the fiction is really good.
If I could change anything, I would definitely have had a father around. My father. I would definitely say it affected me deeply as a young man, coming up. Who doesn't want a father? Those are the beginnings, and those are what can dictate the roads you choose in life, and choosing them well.
Religious ideas about good and evil tend to focus on how to achieve well-being in the next life, and this makes them terrible guides to securing it in this one. Of course, there are a few gems to be found in every religious tradition, but insofar as these precepts are wise and useful they are not, in principle, religious.
I spend my life writing fiction, so reading fiction isn't much of an escape. That's not always true, but I don't read much contemporary fiction.
I feel akin to [William] Shakespeare in the sense that, as I see it, he lived to dramatize the unfailingly exciting, unfathomably strange interplay among human beings that constitutes "scenes" in his plays, and constitutes "story" in prose fiction.
People look at my tattoos, and the majority of them are religious images, so people think, 'Oh, he must be very religious'. I respect all religions, but I'm not a deeply religious person. But I try and live life in the right way, respecting other people.
Christians got a lot of work to do. But, the spirit of Dorothy Day is alive. Martin Luther King is still alive. Malcolm X and the prophetic Islamic tradition is still alive. We can't lose sight of those prophetic religious folk who, even given their kin in the same tradition, says, you all are wrong on this, but we're still in the same tradition.
Whoever uncouples the religious and the social life has not understood Jesus. Whoever sets any bounds for the reconstructive power of the religious life over the social relations and institutions of men, to that extent denies the faith of the Master.
Whether he is aware of it or not, every human being dwells in tradition and history. Human memory is this constant dwelling in tradition. It constitutes that fundamental human characteristic of historicity.
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