A Quote by Chamillionaire
People always put you in a box as a rapper, especially when I get up on a panel and start speaking, and I start speaking when I got some sense. They're like, 'Oh, well, I didn't expect him to have sense.'
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When a person in a Russian prison decides to start speaking, to start speaking the truth - they start to reject oppression.
When I start gearing up to do each new season of 'Murdoch', my wife will often catch me out. I start speaking differently. I start enunciating, and start using certain highbrow words, and things like that.
If I get too glam and polished and pretty, people are like, 'Hari, why aren't you speaking up about issues?' And if I start speaking up about issues, people are like, 'Why can't you just be an actress?'
You might be thinking that some people are just naturally good at speaking up, and others just aren't - game over. Not true. Speaking up is a skill that you have to learn like any other, whether it's speaking Spanish or doing calculus or changing a tire.
Whatever men expect, they soon come to think they have a right to; the sense of disappointment can, with very little skill on our part, be turned into a sense of injury. (senior devil speaking)
The more normal it gets for people to see people of a gender or skin tone they wouldn't expect in jobs that they wouldn't expect, or speaking a way they wouldn't expect them to, the more it cultivates a sense that we share more than separates us.
If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
We can't start dividing people up into categories. In the past, France has often committed the error of not speaking to everybody because there was a belief that some countries could be neglected.
Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.
I never worry 'cause people always try to categorize me. "Oh, that's reggaeton." "Oh, he's a Latin rapper." "Oh, he's crunk." "Oh, he's a Southern rapper," or, "He's a club rapper." As long as they're listening to the music and they're talkin' about it, one way or the other, that means I'm doing something right.
Most people would say it's the start of golf. When you see the flowers blooming at Augusta National and you hear Jim Nantz come on and start speaking about it, it's that time of year.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
I've always found it not only easy, but enjoyable. It's necessary for us to reach out and I'm speaking for myself here. I certainly have a sense of responsibility to reach out to these people in the theatre who might look to someone like me for some guidance.
I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
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