A Quote by Chamillionaire

Artists can be themselves. They don't have to pretend to be somebody they're not. — © Chamillionaire
Artists can be themselves. They don't have to pretend to be somebody they're not.
As much as I'd like to pretend that I'm not performing, I think any actor sometimes has themselves outside of themselves and is trying to direct themselves and control what you're seeing and thinking.
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
Actually, I don't think there's anyone that represents the artists, except the artists themselves.
There's been enough building of fences with labels trying to categorize artists, limiting artists' ability to be themselves.
They amuse themselves by playing an irrelevant ecclesiastical game called "Let's Pretend." Let's pretend that we possess the objective truth of God in our inerrant Scriptures or in our infallible pronouncements or in our unbroken apostolic traditions.
Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
Fake it until you make it. Pretend to be somebody until that somebody turns into you.
I'm not dating Balthazar. I'm pretend dating him. Which involves some not pretend hand-holding. And maybe some not pretend kissing. But it's all actually pretend, see? I groaned. My explanations were making my head hurt already.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you. But figuratively speaking, I'm really into growth, so when I look in the mirror, I see somebody who's just trying to get better everyday.
The language of images [of inner-oriented artists] does not follow a code structure that is evident and widely accepted, but is more likely to be a complex of symbols that have a profound meaning for the artists themselves.
We can surely no longer pretend that our children are growing up into a peaceful, secure, and civilized world. We've come to the point where it's irresponsible to try to protect them from the irrational world they will have to live in when they grow up. The children themselves haven't yet isolated themselves by selfishness and indifference; they do not fall easily into the error of despair; they are considerably braver than most grownups. Our responsibility to them is not to pretend that if we don't look, evil will go away, but to give them weapons against it.
Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.
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