A Quote by Chamillionaire
Sometimes I'll do something when I'm tired at night, and it'll sound hot. But in the morning, when I'm wide awake, I'll listen again and think it's way off. Nobody else would notice it, but I'm like, I've got to fix that!
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Listen to 'Dream.' It's just me all the way. It's like raw. It's gutter. It's real. It's authentic. It ain't like nobody else. Don't sound like nobody else, no nothing.
The guy I've got my eye on happens to be hot. Off-the-charts hot. Hotter-than-Patch hot.' She paused. 'Well maybe not that hot. Nobody's that hot.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
Also, because people like to multitask, in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it, then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise, but leave your brain free to do something else.
Sometimes at night I think that my husband is with me again, coming gently through the mists, and we are tranquil together. Then the morning comes, the wavering grey turns to gold, there is stirring within me as the sleepers awake, and he softly departs.
I think the most frustrating thing is when people... sometimes people are a bit lazy and they don't listen to something, and they'll just say you sound like something else and it's quite clear that you don't, I think that's frustrating.
My soul is not asleep. It is awake, wide awake. It neither sleeps nor dreams, but watches, its eyes wide open far-off things, and listens at the shores of the great silence.
You earn money, and one day money is there -- then life says to you, 'What have you got?' But you don't listen. Now you think you have to put your money into politics, you have to become a prime minister or a president -- then everything will be okay. One day you are a prime minister, and life again says, 'What have you got?' You don't listen. You go on thinking of something else and something else and something else. Life is vast -- that's why many lives are wasted.
I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.
I would like to sing someone to sleep, to sit beside someone and be there. I would like to rock you and sing softly and go with you to and from sleep. I would like to be the one in the house who knew: The night was cold. And I would like to listen in and listen out into you, into the world, into the woods. The clocks shout to one another striking, and one sees to the bottom of time. And down below one last, strange man walks by and rouses a strange dog. And after that comes silence. I have laid my eyes upon you wide; and they hold you gently and let you go when something stirs in the dark.
Not causing harm requires staying awake. Part of being awake is slowing down enough to notice what we say and do. The more we witness our emotional chain reactions and understand how they work, the easier it is to refrain. It becomes a way of life to stay awake, slow down, and notice.
When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.
Ant 1: So, uh, do you ever worry that your itsy little neck is just going to snap under the weight of your head? Ant 2: Stop asking me that. You ask me that, like, every five minutes. Ant 1: Sometimes I notice my antennae out of the corner of my eye and I'm all, like: AHH! Something is on me! Get it off! Get it off! Ant 2: Yeah, the antennae again. Listen, I just remembered, I have to go walk around aimlessly now.
The worst advice? 'Don't listen to the critics.' I think that you really ought to listen to the critics, because sometimes they're telling you something is broken that you can fix.
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